Alt-pop icon Gus Dapperton’s vast and ambitious album Henge builds a new world – tugging the listeners between night and day, socializing and solitude. With  nearly 2 billion collective streams across his career – the Warwick, NY native constructed the album with the concept of entering an underworld as the sun goes down and trying to get home before dawn—or risk being stuck in a time loop. Sonically the album delivers a contemporary eclectic sprawl, at times landing between 80’s new-wave and 70’s funk. Collaborators include Cruel Santino, Ocean Vuong, and BENEE – who Dapperton reunites with musically following their double-platinum viral hit “Supalonely” which has amassed over 1 billion streams. Dapperton’s music maintains the intimacy that made his previous offerings so resonant – including singles Horizons, Wet Cement, and Don’t Let Me Down. 

Since announcing their arrival with debut album in 1991, Blur went on to revolutionise the sound of English popular music with six successive UK #1 albums and a string of Top 10 singles, including two No 1s, helping to propel the band to mass popularity at home and abroad. One of the biggest British bands of the last three decades, Blur have released eight studio albums and collected ten NME Awards, six Q Awards, five BRIT Awards and an Ivor Novello Award, and played live to millions of devoted fans across the globe.

Whilst they are an iconic band, the new music truly feels like they have re-invented their sound for 2023 and we should really amplify the commercial viability and youthful leaning sound to reach new audiences.

The album is truly incredible body of work which is beautifully layered, with real stand-out singles which is understandably described by the band as one of their best creations.

Atlantic Records is proud to announce Barbie The Album, the groundbreaking and star-studded musical companion to the highly anticipated summer event film Barbie, starring Margot Robbie and Ryan Gosling as Barbie and Ken and distributed by Warner Bros. Pictures. The album will feature new tracks from an unprecedented lineup of artists including Nicki Minaj and Ice Spice, Dua Lipa, Lizzo,KAROL G, Charli XCX, PinkPantheress, Ava Max, Dominic Fike, Khalid, The Kid LAROI, Tame Impala,HAIM, GAYLE and FIFTY FIFTY feat. Kali. Barbie star Ryan Gosling also joins the robust roster of soundtrack artists with his iconic original song performed as his character, Ken. Barbie The Albumarrives in stores and at all online retailers on Friday, July 21st in conjunction with the theatrical release of the feature film.

White Vinyl. Mascot Records is proud to annouce the new studio album from Kentucky hard-rockers Black Stone Cherry entitled, 'Screamin' At The Sky', set for release this fall. In the past two decades, Black Stone Cherry has set a new standard for Southern rock, revitalizing the tradition with burly riffs and stirring rock hooks. The band's eighth studio album explodes with urgently-emotive pop-rock hooks, heartfelt lyrics, headbanging riffs, thunderous drums, and the band's most thrilling musicianship yet. This 12-song collection is BSC's biggest and best sounding album to date. "The thesis of this record is adapting and moving on," says vocalist/guitarist Chris Robertson. "There is a lot of darkness on this album-I bared my soul-but it always foreshadows light at the end of the tunnel."'Screamin' At The Sky' is available everywhere September 29th, 2023.

Splatter Vinyl. Mascot Records is proud to announce the new album from Conquer Divide called, 'Slow Burn'. 'Slow Burn' ushers in a new era for Conquer Divide, one defined by breathtaking sonic refinement, intensely personal lyrical storytelling, and a seamless balance between hard-hitting modern metal and irresistible melody. On this record, the band taps into a broader sound, walking a well-executed, genre-defying tightrope between pop, rock, and metal without sacrificing what they do best: writing compelling songs. "This album doesn't have any skips on it. I think every song is powerful and important," says vocalist Kiarely Taylor. "Every song has something everyone can relate to, and each of them is unique." Conquer Divide's Mascot Records debut, 'Slow Burn'.

There are no strangers at a Drew Holcomb show. For the better part of two decades, the award-winning songwriter has brought his audience together night after night, turning his shows into celebrations of community, collaboration, and contemporary American roots music. Strangers No More, the eighth album from Drew Holcomb & The Neighbors, celebrates that sense of togetherness. Produced by Cason Cooley, it expands the band's mix of timeless songwriting, modern-day Laurel Canyon folk, amplified Americana, and heartland rock & roll.

But Here We Are is the new album from Foo Fighters, and marks the bands return after a year of staggering losses, personal introspection and bittersweet remembrances. A brutally honest and emotionally raw response to everything Foo Fighters have endured recently, But Here We Are is a testament to the healing powers of music, friendship and family. Courageous, damaged and unflinchingly authentic, the album opens with “Rescued,” the first of 10 songs that run the emotional gamut from rage and sorrow to serenity and acceptance, and myriad points in between.

But Here We Are is in nearly equal measure the 11th Foo Fighters album and the first chapter of the band’s new life. Sonically channeling the naiveté of Foo Fighters’ 1995 debut, informed by decades of maturity and depth, But Here We Are is the sound of brothers finding refuge in the music that brought them together in the first place 28 years ago, a process that was as therapeutic as it was about a continuation of life. 

Avenged Sevenfold’s new album, Life Is But A Dream is a timeless work of art that blurs genres. Best served as a whole and consumed en masse to truly appreciate its musical breadth and sonic depth, it marks their boldest statement and most revolutionary work to date. Written and recorded over the span of 4 years, it was produced by Joe Barresi and Avenged Sevenfold in Los Angeles and mixed by Andy Wallace in the Poconos, PA. Inspired by Albert Camus’ The Stranger, the album is a journey through an existential crisis; a very personal exploration into the meaning, purpose and value of human existence with the anxiety of death always looming. Immerse into this experience…

A collection of unreleased songs from Kenny Rogers' archives that tells the story of the love, life, loss and faith between Kenny and his wife, Wanda, and their two children. The album features the long sought after "Goodbye" written by Lionel Richie, interpretations of Eric Clapton's "Wonderful Tonight" and "I Wish It Would Rain" originally recorded by The Temptations, and "Tell Me That You Love Me" a lost duet between Kenny and Dolly Parton.

Regular Jacket with Matte Varnish, Heavyweight 180g Clear Vinyl.. There is no Neil Frances. OK, sort of. Neil Frances is not a solo artist, it's the name of a duo comprised of Sydney-born Jordan Feller and Southern California native Marc Gilfry. To help you remember that Neil Frances is not a person, the duo has named it's debut LP There Is no Neil Frances. Neil Frances' signature sound is beat-driven pop infused with a more organic warmth than most modern music. Putting special emphasis on their enthralling live sets-the group quickly developed a reputation as a must-see stage artist opening for SG Lewis, Jungle, and Unknown Mortal Orchestra. The band explains, "Our new album is about self-realization and becoming the person that you dream of. The concept is that we are insects on earth who ascend into outer space to become divas at a galactic ball." The album features both GRAE and Benny Sings.

An indie pop duo whose music has a cool retro vibe buoyed by smooth melodies, a naturalistic sound, and warm harmonies, Purr is a collaboration between songwriters, musicians, and longtime friends Eliza Barry Callahan and Jack Staffen. The two previously worked together as Jack + Eliza, but while that project emphasized spare and stripped-down accompaniment, Purr’s recordings feature a fuller sound with a larger palette of instrumental flavors that often references ‘60s pop. Purr introduced themselves to the world with a 2018 single, “Bad Advice” b/w “Painted Memory,” that showed off their talents as both writers and vocalists, and they further refined their style on their first full-length album, 2020’s Like New and continue that on forthcoming album Who Is Afraid Of Blue?

To make it, the duo teamed up with their close friend, producer Jonathan Rado (Weyes Blood, Father John Misty, The Killers), whom they worked with on ‘Like New.’ They went to his North Hollywood studio, a small building behind his home. This was during Omicron, so they kept recording small, just the three of them in a room for most of the time. Programmed drums on an 808, that kind of thing. While they recorded, they screened movies. Ranging from Barbara Loden’s Wanda, to Paul Thomas Anderson’s Magnolia, to Dr. Strange and The Avengers. It all provided texture to the songs. Like making a score. “It’s a really hermetic record,” says Staffen, “which ended up feeling really special.”

Sonically, Who Is Afraid Of Blue? isn’t beholden by genre. It is an omnivorous record—you can hear glimmers of Aimee Mann, Radiohead, the Cocteau Twins which is fitting because Blue is in some ways a record of their process of falling in love with music all over again.

Who Is Afraid Of Blue? also exists lightly in conversation with a short novel Callahan wrote (forthcoming via Catapult, 2024), an auto-fiction document of a woman losing her hearing. And all of it comes back to those Newman works: Purr makes music that functions like those large-scale paintings so very saturated with color. Blue is a vast record, with lyrics that bend towards abstraction. But make no mistake: in that abstraction there is intense clarity. Blue is blue: a color, a feeling, a signifier, a way of looking at the world.

In March 2020, Jack Johnson reached out to Lee “Scratch" Perry to produce a dub remix album based on Jack’s most loved recordings. On August 29, 2021, the project was brought to a halt as Scratch departed this physical world. In 2022, Jack and Subatomic Sound System, Perry’s band of the last decade, connected directly and discovered they had all the pieces to bring Lee “Scratch” Perry’s three creations to completion. The LP also features dubs from Dennis Bovell, Scientist, Mad Professor, Nightmares on Wax, and more. Indie Exclusive Milky White LP.

On Last Man Dancing, Jake Shears turns his lifelong love affair with club culture into his most ambitious pop music to date. The album was brought to vivid life by Jake Shears and a close crew of collaborators, including head-turning features from Kylie Minogue, Jane Fonda, Iggy Pop, Amber Martin, and a pre-Renaissance turn from the iconic Big Freedia.

Shadow Kingdom presents Dylan performing revelatory 21st century versions of songs from his storied back catalog – including fan favorites like “Forever Young” and “It’s All Over Now, Baby Blue,” and deep catalog gems like “Queen Jane Approximately” and “Wicked Messenger.” Originally reinterpreted for an exclusive streaming film event, which aired in July 2021, Shadow Kingdom will now be available on vinyl, CD, and streaming platforms for the first time.  The album's setlist includes 13 original songs handpicked by Dylan for his Shadow Kingdom performance plus the closing instrumental, "Sierra's Theme."

Little Broken Hearts [Deluxe Edition 3 LP] - Norah Jones defied expectations with her 5th studio album Little Broken Hearts, a striking collaboration with Danger Mouse that arrived a decade after her debut Come Away With Me, prompting SPIN to call it "the 2nd essential record of Norah Jones' career." Deluxe Edition features an expanded 31-track set curated by Jones with rare bonus tracks, alternate versions, remixes, and a previously unreleased live version of the album recorded for Austin City Limits in 2012.

Closing Time foreshadows the distinctly lyrical storytelling and original blending of jazz, blues, and folk styles that would come to be associated with Waits. It is on this debut album that Waits performs enduring classics of his career “Ol’ 55” (famously covered by the Eagles), the heartbreaking “Martha” and the gentle acoustic folk of “I Hope That I Don’t Fall In Love With You”. Reissued for the first time as a double LP to commemorate the 50th anniversary of the landmark debut with newly half speed mastering at Abbey Road Studios.

Brooklyn bedroom-pop trailblazers Beach Fossils' new album Bunny is a triumphant return for one of the 2010s most influential NYC bands. Bunny is a precise blend of the luscious dream-pop atmospheres they notoriously honed on their earliest projects, the post-punk vigor expressed on Clash The Truth, and the warm sophisticated songwriting of Somersault. Composer Dustin Payseur peppers the album equally with descriptions of the joy of fatherhood and the existential pleasure of smoking cigarettes out of a car window with friends -- Bunny features Beach Fossils' most personal lyrics to-date.

Colin McCann didn’t pick up a guitar for nearly ten years. The Northern-California-based songwriter, previously performing under Long Dog Bird, had been creating music with longtime friend and collaborator Brian Gossman for much of their adult lives with early-00s Baltimore-based band Wilderness. So what would cause such a stagnant period? And how could McCann find his way back to the joy that music had once so easily conjured? The answer was to go back to the very beginning, where the kinetic forces that urged McCann to make music in the first place could emerge once again. But first, he had to make space in his internal world; a kind of silence where he could hear the exhale of his past, and the blossoming of a new song. 

That blossoming would soon become the first songs for McCann’s latest project Vulture Feather. The band’s debut album Liminal Fields exists on an intangible plane: a crack in the concrete, a gauze between worlds. For as long as McCann can recall, he’s been using music as a vehicle to try and connect with an underlying, indescribable nature that only the sonic world seems to be able to reach. “There’s a feeling of ecstasy that comes when one merges with music,” he says. “It’s what calls us all back again and again to listen, to sing, and to play.” McCann had been striving to reach this outlying environment throughout his career, often stretching in ways that eventually came to negatively impact his life, and his health.

7 Inch includes a studio version of the track 'We're Gonna Get There In The End' and an acoustic version of 'Pretty Boy'

Lucky For You is Bully's most close-to-the-bone album yet. It's an album that's searing and unmistakably marked by it's creator's experiences, while still retaining the massive sound that Alicia Bognanno has become known for over the last decade. Her fourth album draws from personal pain and the universal struggle that is existing, learning, and moving on-and it's all soundtracked by Bognanno's rock-solid melodic sensibilities and a widescreen sound that's impossible to pin down when it comes to the textures explored. These ten songs are simply the most irresistible Bognanno's put to tape yet, making Lucky For You her greatest triumph to date in a career already packed with them. Work on Lucky For You began last year, when Bognanno brought some in-progress demos to producer J.T. Daly in his Nashville studio to see if they could strike creative kismet. "Authenticity is always on my mind, without even knowing it," she explains while discussing their recording process together. "It was g

Since their 2012 debut, Protomartyr have mastered the art of evoking place: the grinding Midwest humility of their hometown, as well as the x-rayed elucidation of America that comes with their vantage. The group’s sixth album was recorded at Sonic Ranch in Tornillo, TX with producer Jake Aron. “The desert is more of a metaphor or symbol,” singer Joe Casey says, “of emotional deserts, or a place or time that seems to lack life.” The “growth” came from a period of colossal transition for Casey, including the death of his mother. But life does go on, and Casey describes the great theme of Formal Growth In The Desert as an embrace and acknowledgment of that fact: a 12-song testament to “getting on with life,” even when it feels impossibly hard.

Jenny Lewis’ fifth solo album, Joy’All arrives June 9th. Joy’All finds the singer-songwriter embarking on a new era, in a new town – and on a new label, as she joins the iconic roster of Blue Note/Capitol Records. While Joy’All pulls from a bounty of sonic inspiration – from classic soul to ‘90s R&B, as well as country and classic singer-songwriter records – the album’s rich, intimate and warm live sound is the hallmark of eight-time GRAMMY-winning producer Dave Cobb. Recorded at Nashville’s historic RCA Studio A, Joy’All includes new single “Psychos” and the previously released single “Puppy and a Truck.”

Niall Horan's `The Show' - his third solo album and first since 2020's chart-topping `Heartbreak Weather' - will be released on June 9, 2023. Preceded by its lead single "Heaven," the album matches the pure emotion of his globally beloved past work with a powerful new element of soul-searching reflection. Each vinyl copy of `The Show' includes a randomly selected print of a letter handwritten by Niall about a song from the album.

A Jason Isbell record always lands like a decoder ring in the ears and hearts of his audience, a soundtrack to his world and magically to theirs, too. Weathervanes carries the same revelatory power. This is a storyteller at the peak of his craft, observing his fellow wanderers, looking inside and trying to understand, reducing a universe to four minutes. He shrinks life small enough to name the fear and then strip it away, helping his listeners make sense of how two plus two stops equaling four once you reach a certain age -- and carry a certain amount of scars.

“There is something about boundaries on this record,” Isbell says. “As you mature, you still attempt to keep the ability to love somebody fully and completely while you’re growing into an adult and learning how to love yourself.”

Weathervanes is a collection of grown-up songs: Songs about adult love, about change, about the danger of nostalgia and the interrogation of myths, about cruelty and regret and redemption. Life and death songs played for and by grown ass people. Some will make you cry alone in your car and others will make you sing along with thousands of strangers in a big summer pavilion, united in the great miracle of being alive. The record features the rolling thunder of Isbell’s fearsome 400 Unit, who’ve earned a place in the rock ‘n’ roll cosmos alongside the greatest backing ensembles, as powerful and essential to the storytelling as The E Street Band or the Wailers.

They make a big noise, as Isbell puts it, and he feels so comfortable letting them be a main prism through which much of the world hears his art. He can be private but with them behind him he transforms, and there is a version of himself that can only exist in their presence. When he plays a solo show, he is in charge of the entire complicated juggle. On stage with the 400 Unit, he can be a guitar hero when he wants, and a conductor when he wants, and a smiling fan of the majesty of his bandmates when he wants to hang back and listen to the sound.

Youth Lagoon - the beloved project of Trevor Powers - returns with the announcement of Heaven Is a Junkyard, his first new album in eight years, out June 9th on Fat Possum, and a new single/video, " Idaho Alien." With whispers of country, Heaven Is a Junkyard is mutant Americana in a world of love, drugs, storytelling, and miracles-held together by Powers' voice and an upright piano. In Powers' own words, " Heaven Is a Junkyard is about all of us. It's stories of brothers leaving for war, drunk fathers learning to hug, mothers falling in love, neighbors stealing mail, cowboys doing drugs, friends skipping school, me crying in the bathtub, dogs catching rabbits, and children playing in tall grass."

“As we enter into The Age Of Pleasure, “Lipstick Lover” is our freeassmothafucka anthem inspired by f.a.m. for f.a.m. This is our oasis made with love, rooted in self acceptance, throbbing in self discovery, and signed with cherry red kisses from me to you.  ” 
- Janelle Monáe

Janelle Monáe, music’s foremost freeassmuthafucka, has shared her scintillating new single, “Lipstick Lover,” available now. 
Arriving on the heels of her showstopping Met Gala appearance, “Lipstick Lover” heralds the arrival of Monáe’s hugely anticipated new album, THE AGE OF PLEASURE, due out June 9th. Pre-orders/pre-saves – including limited edition vinyl – are available now.
 
THE AGE OF PLEASURE also includes the acclaimed new single, “Float (Feat. Seun Kuti + Egypt 80).” Hailed by Pitchfork as “swaggering, brass-heavy…the sound of a top-tier talent doing a little victory dance,” the track is joined by an official dance video.

Janelle Monáe is without question one of the most celebrated artists of the modern era, an 8x GRAMMY® Award-nominated singer, songwriter, producer, performer, and fashion icon known worldwide for her inimitable style and visionary sound. With multiple celebrated albums, THE ARCHANDROID (2010), THE ELECTRIC LADY (2013), and DIRTY COMPUTER (2018), numerous critically-acclaimed theatrical and television performances,  and her unwavering activism for social justice and the LGBTQIA+ community, Monáe continues to be one of the most compelling and important artists of this generation.

3 LP Packaging: 3 LP 180-gram heavy vinyl edition, 20 new songs.

Christine and the Queens presents his new album PARANOÏA, ANGELS, TRUE LOVE. Includes “To be honest” and guest appearances from Madonna and 070 Shake.

As Milky Chance prepare to share the idiosyncratic and inventive alt-pop songs that populate their new album Living In A Haze, they proudly boast over 10 million monthly Spotify listeners, an enviable touring resume (including stops at Coachella and Lollapalooza), and an upcoming schedule of world-trotting 2023 dates featuring the biggest shows of their career. Over the past decade, they've proven themselves to be, in their own low-key way, one of the biggest bands in the world. Their runaway hit debut "Stolen Dance" - which recently surpassed over 1 billion streams on Spotify - gifted Rehbein and Dausch with a platform far beyond what the duo could have imagined. They capitalized on that momentum with their 2014 debut Sadnecessary, which broke them as a global streaming and touring act, and followed that up with 2017's Blossom and 2019's Mind The Moon, which found them taking advantage of new resources to collaborate with heroes like Jack Johnson and Ladysmith Black Mambazo. On their independent debut Living In A Haze, Milky Chance thrive on writing the tightest, most groove-forward alt-pop songs imaginable - and then going back and distorting each sound into it's wildest iteration. Recorded at Jazzanova Recording Studios in Berlin with production help from DECCO, Jonas Holle, Tobias Kuhn, and Dennis Neuer as well as guest appearances from Fatoumata Diawara and Charlotte Cardin, Living In A Haze applies the band's endless musical curiosity to the propulsive logic of the best club music while delivering masterful songcraft. There are sublime moments throughout: Album opener and lead single "Living In A Haze" is an economical haymaker of a track that unfolds with an enigmatic logic, going from elegiac triplet guitar figure to a tight, post-Strokes rhythmic feel that provides the ideal musical metaphor to accompany Rehbein's dreamy delivery. Afrobeat rhythms power both "Flicker In The Dark" and "Feeling For You" - on the first providing a canvas on which to liberally splatter earthy acoustic textures and a cartoonishly colorful guitar solo, on the second lending a swiveling counterpoint to a narcotized vocal. And on "History Of Yesterday," Milky Chance marry a UKG shuffle with sunny atmospherics and cascades of reverberating piano to propel the band's breeziest chorus to date. Living In A Haze vibrates with possibility and passion - it's a thrilling juncture for band as they look forward to a heavy touring schedule in 2023 and beyond.

10 Year Anniversary Edition of Sturgill Simpson's debut album High Top Mountain. The anniversary edition includes an "Old King Coal" blacked out album cover with a glossy embossed jacket, and is pressed on translucent black vinyl. Sturgill Simpson's authenticity stands out like an island of hope in a sea of tacky. Pure and uncompromising, devoid of gloss and fakery. High Top Mountain’s dozen instant classics evoke the sound of timeless country in its many guises and brings back the lyrical forthrightness and depth that permeated the music Simpson absorbed during his Kentucky childhood. Bonafide mountain hillbilly soul, as pure as you are going to find anywhere.

"In 2004 the Drive-By Truckers released what would become the best selling album in their illustrious catalog. The Dirty South is a concept album that examines the state of the South, and unveils the hypocrisy, irony, and tragedy that continues to exist. The album features live show staples like, “Tornadoes”, “Where The Devil Dont Stay” and “Puttin People On The Moon” as well as rarities like “Goode’s Field Road” and “Daddy’s Cup.”

The Complete Dirty South is a band-led rework of the original album. Principal member, Patterson Hood, took the reins and reimagined this record as it was originally intended. The complete version features resequenced audio, three additional tracks, four remixes along with updated vocals. The packaging comes with a perfect bound book featuring liner notes from Patterson Hood, track by track descriptions from Mike Cooley and Jason Isbell as well as never before seen photos along with updated artwork from the late Wes Freed.

“This ‘Director’s Cut’ is the way it was always intended to be heard” - Patterson Hood"

Throughout the ten tracks in their new album Let There Be Music, you can hear the spaciousness Bonny Doon allowed themselves since their 2018 sleeper cult-classic Longwave. Their latest musical journey is one that has big payoffs for devoted followers and undeniable rewards for anyone just stumbling across the band for the first time. After extensively touring Longwave by supporting Band of Horses, Snail Mail and Waxahatchee, Lennox and Colombo were invited by Katie Crutchfield to collaborate on Waxahatchee’s critically acclaimed album Saint Cloud. “The experience raised the ceiling on our imagination,” Colombo said.

Soon after, Colombo and Kmiecik, whose steady percussion and devotion to the songs creates a container for the indelible guitar lines, both entered a time of serious healing, Jake tending to complications of his Crohn’s disease and Bobby to a brain injury and undiagnosed Lyme disease. While these detours of doctors’ appointments and experimental care were taking place, the members of Bonny Doon were also playing on Waxahatachee’s Saint Cloud tour. These obstacles and commitments drew out the making of Let There Be Music for several additional years, and in the process, redefined the record as an achievement in perseverance for the band.

On their long-awaited third album, we get a glimpse into the pure joy of Bonny Doon. The album serves as less of one conceptual story, and each song as their own individual offerings of putting words to the ordinary experience of being alive. The band is at their most dynamic and the songwriting deftly explores new terrain. Let There Be Music is brimming with small truths - both profound and mundane, comforting and difficult - and we are invited to revel in them all.

Singer/songwriter, bandleader, and human being Samantha Bowers first began writing songs at age 12 while taking piano lessons and listening to Bruce Springsteen, Billy Joel and Freddie Mercury playing on the family stereo. By 16, she developed a love of jazz and began to study the great female vocalists of the century (mainly Ella Fitzgerald, Etta James and Sarah Vaughn). She and her eight-piece group make music that has elements of pop, soul, funk, rock and jazz and focus on themes like coming-of-age, defiance, and self-expression. Their genre blending performances are high-energy, honest and quirky, influenced by the great performances of those childhood classic rock heroes.

Deer Tick’s first new body of work since 2017, Emotional Contracts is their most collaborative to date, and sees all four members operating at peak songwriter power. Produced by Dave Fridmann, the 10-song set features guest musicians like Steve Berlin (Los Lobos) and background vocals from Courtney Marie Andrews, Vanessa Carlton, Kam Franklin, Angela Miller, and Sheree Smith. Deer Tick’s ATO Records debut adds an even greater vitality to their feverish collection of timeless rock-and-roll.

“Several times, as I listened to M. Ward’s Supernatural Thing, I asked myself what year it was. Was it 1952, and was I listening to a track from the Harry Smith Anthology? Was it 1972, and was I eavesdropping on the recording session for After the Gold Rush? No, it’s 2023, and M. Ward is one of the special contemporary artists who invite such questions. Ward has clearly mastered the whole vocabulary of American popular music and made serious decisions about how to employ it for his own ends. What Ward shares with Harry Smith’s artists and Neil Young is a context of musical and human values: authenticity and intimacy. Supernatural Thing’s original songs sound freshly pulled from the ground, with a little earth sticking to them. Ward’s lyric delivery has that slight rawness the ear loves, and his voice has quiet dignity and great tenderness. Supernatural Thing is an open-hearted, inviting album. 

The album’s guest stars — First Aid Kit, Shovels & Rope, Scott McMicken, Neko Case, Jim James, others — enliven the album with surprises. On “Too Young to Die,” the women’s voices in First Aid Kit spread a light frosting over the melody, and their Beach Boys-like chorus on “Engine 5” makes the song sound like an instant hit. Eight of the album’s ten songs are Ward originals. There’s an unusual Bowie choice, “I Can’t Give Everything Away” from Blackstar, and a live rendition of Daniel Johnston’s ‘Story of an Artist.’” -By James Cushing

Both as a solo artist and as one-half of She & Him, M. Ward became one of the defining voices of the American indie landscape in the 2000s, earning fans and critical acclaim for his distinctive brand of breezy West Coast Americana which pulled from folk, country, blues, pop, and experimental indie rock elements. Ward established himself with warm, analog-minded releases like 2003’s Transfiguration of Vincent and 2006’s Post-War before joining forces with singer/actress Zooey Deschanel to form the highly successful indie pop duo She & Him in 2008. Over the following decade, Ward split his time between projects, releasing a 2009 album with indie supergroup Monsters of Folk, several high-profile albums with Deschanel including She & Him’s Columbia-issued 2014 set Classics, and critically acclaimed solo releases like 2009’s Hold Time, 2012’s A Wasteland Companion, and 2018’s What a Wonderful Industry. Ward kicked off the next decade with a deeply atmospheric set called Migration Stories and a Billie Holiday covers album Think of Spring most recently.

Tommy Prine’s debut album “This Far South'' coming June 23, 2023 is not only a long awaited introduction but a testimony to Prine’s 20’s and the loss, love, and growth that has defined them. Co-produced by close friend and kindred musical spirit, Ruston Kelly, and beloved Nashville engineer and producer, Gena Johnson, the album is rich and dynamic from cathartic jams to nostalgic storytelling.

It wasn’t until Prine reached his mid-twenties, though, that he considered a career of his own in music and began to share with others the songs he wrote in private. His songs were quickly met with excitement and enthusiasm, which sonically brings together a colorful patchwork of musical influences and lyrically explores existential questions and emotional experiences.

The album’s title track, “This Far South'' marks a turning point in Prine’s life as he found himself struggling to escape a dark, aimless period. He ultimately found the courage to act on choices that would see him to the other, brighter, side.

“There were several years where I felt without purpose, spent all my time partying, and just existing. I found myself at a fork in the road and chose the better path, and in that moment, I swore I would never be This Far South again.”

Grief is a major throughline of Prine’s current work.  In 2017, Prine lost his best friend to an overdose.

“Since then, I have lost some more friends and have others who are still navigating the ups and downs of struggles with drug abuse.”

His song, “Letter To My Brother”,  was written as a message to the friends he’s lost, those in Recovery, and to friends who are still struggling.

He still grapples with the passing of his father in April of 2020.  “The world lost one of the greatest songwriters of all time, but I lost my dad.”  Prine bears the loss of his father and the memories he carries for others on the track, “By The Way”.

“When I'm playing certain songs, I can literally look out in the crowd and tell who else has lost their dad,” he says. “I can immediately tell which people have experienced, specifically, losing their father. They'll come up and tell me afterwards, and I'll be like, ‘Yeah, like, I figured that this conversation was going to happen,’ because I could see their reaction. It’s been really powerful to see real-deal evidence that grief is a shared experience, and that suffering is a shared experience between humans.”

Prine capped off 2022 with his first solo tour across the United States. He was heavily involved with You Got Gold, an event series in Nashville honoring the life and songs of John Prine, and performed at AmericanaFest as an official showcasing artist.  He also debuted two original songs, “Ships in the Harbor” and “Turning Stones”.

“Ships in the Harbor” is a tender meditation on impermanence and change, with Prine communicating the universal experience of loss through poetic observations of the seemingly mundane.  The song found its way onto a series of editorial playlists including Spotify’s Fresh Folk playlist and Amazon’s Fresh Folk & Ameriana playlist.  It was also praised by a number of outlets including Billboard, Garden & Gun, and Saving Country Music who wrote, “With one song, Tommy Prine has already accomplished what many musicians and songwriters work their entire careers to accomplish, which is to make such an indelible emotional connection with an audience.”

This year, alongside his own runs of headline shows, Prine opened for Tyler Childer on his “Send In The Hounds Tour” in London.  He was also named one of Amazon Music’s 2023 Breakthrough Artists to Watch.

“I feel like I've learned more about myself in the last year and a half than I ever have in my life,” Prine says. “And I think that speaks a lot to doing something that I'm passionate about. I love and respect the craft. Just hitting the road and doing what so many people before me have done and will continue to do, it's really resonated with me. I think it's transformed me into the person that I am meant to be.”

RSD Essential 039 * The Avett Brothers' 2007 release "Emotionalism" is the album that caught the attention of legendary producer Rick Rubin and got him to sign the band to their first major studio. "Emotionalism" also was their first album to crack the charts. Full of new Folk, Blues and Bluegrass riffs for a modern world, it is a lively take on everything from romance to paranoia. Of course, they still kick in some solid Rock 'N' Roll for good measure.

GRAMMY-winning global superstar Kelly Clarkson is set to release her highly anticipated tenth studio album chemistry, arriving June 23rd, 2023. On her most personal album to date, these songs explore the arc of a relationship. About the album, Kelly says “having chemistry with someone is an incredible, and overwhelming, feeling. It’s like you have no choice in the matter. You are just drawn to each other. This can be good and bad. This album takes you down every path that chemistry could lead you down.”

Bobbie Nelson’s musical career dates back to the 1940s. Naturally gifted on the piano, she played in churches, revival tents, concert halls and honky-tonks, eventually joining her brother Willie Nelson’s Family Band in the early ‘70s.   Amanda Shires says: "Much of my path seemed possible because I saw a woman working and making a career of music at a young age, and that woman was Bobbie Nelson.” Loving You is a collection of songs the duo have played and treasured their entire lives. 

Produced by Chris Thomas (Roxy Music, Sex Pistols, Pretenders, Wings), ‘Empty Glass’ was Townshend’s next solo release appearing in April 1980. The songs predominantly deal with issues Townshend was struggling with at the time, including the death of Keith Moon, the Who’s former drummer.

These limited-edition black vinyl versions have been mastered by long-time Who engineer Jon Astley and cut for vinyl by Miles Showell at Abbey Road Studios with a half-speed mastering technique which produces a superior vinyl cut and are packaged in original sleeves with obi strips and certificates of authenticity. ‘Empty Glass’ features a full-colour inner beg with full lyrics and a 300mm x 600mm poster.

‘Rough Mix’ was initially released in September 1977 while The Who were on hiatus and was a collaboration with Small Faces bassist the late Ronnie Lane and features contributions from Who bassist John Entwistle, Eric Clapton, and Rolling Stones drummer Charlie Watts amongst others.

These limited-edition black vinyl versions have been mastered by long-time Who engineer Jon Astley and cut for vinyl by Miles Showell at Abbey Road Studios with a half-speed mastering technique which produces a superior vinyl cut and are packaged in original sleeves with obi strips and certificates of authenticity. ‘Rough Mix’ is presented in a gatefold sleeve.

Three-time Grammy Award winner Lucinda Williams will release her highly anticipated new album Stories from a Rock n Roll Heart on June 30th (Highway 20 Records/Thirty Tigers). 2023 will be a special year for Williams: she turned 70 in January and on April 25th will release her long-awaited memoir Don’t Tell Anybody The Secrets I Told You (Crown, a division of Penguin Random House LLC).

The last couple years have been challenging for Williams. In 2020, a tornado damaged her new home in Nashville, followed two weeks later by the beginning of the COVID lockdown. Later that November, Williams suffered a stroke that partially impaired some of her motor skills on the left side of her body, forcing her to learn to walk again and taking away her ability to play the guitar. Stories from a Rock n Roll Heart marks a triumphant return from one of our most revered artists and songwriters. Williams is in great form as heard on her new single “New York Comeback,” written by Williams, Tom Overby and Jesse Malin, with Patti Scialfa and Bruce Springsteen on backing vocals.

Stories from a Rock n Roll Heart was produced by Williams, Overby and Ray Kennedy, who also engineered. The album includes guest backing vocals by Jeremy Ivey, Jesse Malin, Buddy Miller, Angel Olsen, Margo Price and Tommy Stinson.

Wild Creatures is a career retrospective album containing twenty-three of Neko Case’s most impactful tracks from her discography, and will now be available on CD and 2x LP.

With a career spanning over twenty years, she has famously collaborated with The New Pornographers and Case/Lang/Veirs in addition to releasing many critically acclaimed solo albums, including ‘Fox Confessor Brings The Flood’, ‘Middle Cyclone’ and most recently 2018’s ‘Hell-On’.

Gathering power year after year, Neko sings with the fierce abandon of a newborn infant crying in a basket in the woods. Since escaping the labels of country and Americana, the gorgeous train-whistle vocals of her early career sit submerged in her later style, where their ghost can appear any minute. When her voice jumps an octave, it’s almost visible, like sparks at night. “I never knew where I wanted to go or what I wanted to do with my voice,” she says, “but I just wanted to do it so bad.”

The Vinyl configurations include: 2 LPs with printed inner sleeves, in a Gate- fold jacket.

Gag Order is an album that finds the GRAMMY-nominated pop star, Kesha, excavating the deepest recesses of her soul to date. The record, which Kesha has labeled “post-pop” and was produced by Rick Rubin, is a full-bodied collection that flows like a stream of conscious journey through the psychedelic dark depths of the human psyche followed by basking in the cleansing light when finally reaching the surface.

HyperParadise is the fourth album from Sydney, Australia based multi-instrumentalists Luke Dubber (AKA Luke Dubs) and Angus Stuart. In Australia, the album won the AIR Award for Best Electronic Album, received ARIA Award nominations for Best Dance Release, and won the Australian Music Prize that year. The album features the hugely successful Flume remix of the title track.

Solid Gold, the long-awaited solo debut album from acclaimed musician Miles Miller will be released July 7 via Thirty Tigers.

Produced by Sturgill Simpson, the album features twelve original songs and marks the first body of work released by Miller as a solo artist. The album was recorded over the course of three days in January 2022 in Nashville, TN.

Of the album, Miller shares, “Solid Gold is a love story, but about love being around and love leaving. It’s an entire story essentially about wanting to get back to the love you have, realizing you shouldn’t give it away, to love leaving, hitting the road because of it leaving, feeling love on the road, love from home, to realizing you need to keep walking and wish them well. It’s an album about the cycle of a love story that crumbles.”

Raised in central Kentucky, Miller has spent the better part of the past decade on the road as a drummer for artists including Sturgill Simpson and Town Mountain. In 2009, he was discovered by acclaimed producer Dave Cobb after playing drum covers on YouTube at the age of 16. While drumming and vocals are what he has been most noted for, playing guitar is his first love.

Spending time off of the road allowed him to hone in on his songwriting and it became clear that the time had come to step away from the drum kit and focus on his own artistic vision. This June, Miller will embark on a handful of dates supporting Tyler Childers. Additional tour dates to be announced.

"I Want It All Right Now" was produced by Grammy-winning producer John Congleton. They will be embarking on a North American stadium/arena tour with pop superstar P!nk. Los Angeles' Grouplove blend a quirky, '90s-style indie rock sensibility with a spirited, arena-ready roar. It's a sound they debuted on 2011's Never Trust a Happy Song, which spawned the number one Billboard Alternative Songs Chart hit "Tongue Tied." They have continued to straddle mainstream and indie success, playing festivals around the globe and remaining Top 20 Billboard Alternative chart regulars with albums like 2013's Spreading Rumours and 2020's Healer. In March 2021, Grouplove returned with their surprise fifth album, This Is This.

PJ Harvey’s tenth studio album ‘I Inside the Old Year Dying’ marks her first release in seven years, following UK #1 album ‘The Hope Six Demolition Project’. On this album, which was recorded with long-time creative collaborators John Parish and Flood, PJ Harvey builds a sonic universe somehow located in a space between life’s opposites, and between recent history and the ancient past. Scattered with biblical imagery and references to Shakespeare, all of these distinctions ultimately dissolve into something profoundly uplifting and redemptive.

Living in LA, there are a lot of people looking for that one trick that will help the new them emerge fully realized, successful & happy. It's a worthwhile, but doomed pursuit, & the best we can hope for is to be present in a moment. Local Natives album comes at a moment of personal metamorphosis. Former selves melting away, some becoming fathers, some enduring periods of isolation, loss, & identity crisis. Time Will Wait For No One is a mantra of reassurance in response to relentless changes.

Lukas Nelson & Promise of the Real are back with Sticks and Stones, releasing 7/14 via 6ACE Records / Thirty Tigers. This self-produced, honest and emotional new album highlights Nelson's strength as a songwriter and the band's uncompromising commitment to clarity, compassionate tones, and exceptional melodic moments. Lyrically, Sticks and Stones spans the themes of Drinking, Heartbreak, Love, Lying, Hope, Nature, Self-Reflection, Work-Life Balance, Settling Down, Home, Time, Longing and more.

Snõõper is a fast, highly synchronized, and immersive band that was formed in Nashville during the start of the pandemic by musician, Connor Cummins and visual/ video artist, Blair Tramel.The full band made its live debut in September 2021 and has been on the go ever since. They won crowds over at Gonerfest 18 and 19, SXSW, Mosswood Meltdown and Music Frozen Dancing. They have toured across the US, in addition to supporting dates with Amyl and the Sniffers, Lil Ugly Mane, Cobra Man, Pissed Jeans, Uranium Club and Snail Mail. Snõõper integrates many different artistic mediums (music, video art, puppetry, assemblages, etc.) into their live shows to create a unique experience for viewers.

GRAMMY Award-winning band Greta Van Fleet consists of three brothers – vocalist Josh Kiszka, guitarist Jake Kiszka and bassist/keyboardist Sam Kiszka – as well as drummer Danny Wagner. Together, they have performed across multiple continents, sold over 3.5 million records and 1 million tickets worldwide. Their much anticipated third studio album Starcatcher, produced by Dave Cobb (Chris Stapleton, Brandi Carlile), is set for release on July 21, 2023 on Lava/Republic Records. The album was recorded at RCA Studios in Nashville.

With a career spanning over 40 years, musician, artist and activist John Mellencamp is releasing his 25th full-length studio album Orpheus Descending via Republic Records. It was recorded at his own Belmont Mall Studio and produced by Mellencamp. The album is one of the most personal to date for the outspoken artist as he continues to show that he’s one of the best songwriters of his generation, focusing on social issues with standout songs "Hey God" and "The Eyes of Portland.”

GRAMMY® Award-nominated 8x RIAA diamond-certified global superstar Post Malone unveiled that his anxiously awaited fifth full-length offering and one of the most anticipated albums of 2023, Austin, will arrive on July 28th, 2023

Acclaimed indie-folk quartet Darlingside announces the July 28^th release of their anticipated new album Everything is Alive (Thirty Tigers).  Everything is Alive is the follow up to the band’s celebrated 2020 release Fish Pond Fish, and while Fish Pond Fish celebrated the unity and harmony of multi-instrumentalists Don Mitchell, Auyon Mukharji, Harris Paseltiner and David Senft, Everything is Alive showcases the individuality of each band member.  And while their talent for lush harmonies and intricate songwriting has distinguished  Darlingside throughout their acclaimed career, the evolution to Everything is Alive inspires listeners with a new degree of intimacy and nuance.

The recording of Everything is Alive continued in the pandemic-fueled music style of Fish Pond Fish, with band members creating separately to contribute to a sum greater than its parts. Three years later, things have changed in not only the world but also in the lives of Darlingside’s members; themes of grief, loss and hope permeate throughout the album.  First single “Eliza I See” recalls Paseltiner’s perception of the passage of time as he experiences it with his young child.  He chronicles the creation of “Eliza I See” as songs he made for her at the beginning of the pandemic saved as voice memos, and when rediscovering them a year later they took on a whole new meaning. He notes. “It deals with the joy, but also pain, that comes with change, and the excitement of gaining something new while necessarily losing something at the same time. This feeling is especially pronounced for me with my daughter because she changes so quickly.”

Everything is Alive was produced and recorded by the band and mixed by Tucker Martine (My Morning Jacket, Sufjan Stevens, Iron and Wine) in 2021.  And while each band member contributes songs individually, Everything is Alive is still a classic Darlingside effort, filled with vivid imagery and lyrical creativity.   The album opens with the hopeful “Green Light” before moving into the many facets of loss on “Lose the Keys.” “All the Lights in the City” is a rumination of life’s big choices with one’s partner,  while “Darkening Hour” offers a solemn tone about moving in and out of darkness. The exquisite harmonies on “How Long Again” expose the sadness of America’s gun violence, and “Sea Dogs” meditates on death, if it is final or a rebirth to another form.

In addition, while the album features all four band members, the Everything is Alive tour has evolved into a new configuration.   While a critical piece of the band and recording process, Senft will relinquish his road duties and Darlingside will tour with a new structure, featuring the album’s drummer Ben Burns, singer Molly Parden, and others.  Tour dates will be announced shortly.

Darlingside’s first release was 2015’s Birds Say, which announced the band’s arrival as an eclectic, intelligent and dynamic foursome. Media across the board praised the release, including American Songwriter, Paste, Rolling Stone Country, NPR Music, The New Yorker and The Huffington Post, who called it, “...one of the great albums released this year.” Extralife followed, building the band’s fanbase and continuing to earn raves. Fish Pond Fish was released in 2020 to additional critical praise and the band shared the album with a beautifully produced series of livestreams while touring ceased during the pandemic. 

No matter how drastically life may change, tomorrow wipes the slate clean and heralds a new beginning. All of the tumult dissolves into dawn, and everything starts over. SUSTO chronicle seasons of transformation within their distinct, diverse, and dynamic breed of rock ‘n’ roll enlivened in broad strokes of classic songwriting, storytelling and dalliances of sonic unpredictability. The band—led by frontman and songwriter Justin Osborne—explore change physically, emotionally, and spiritually on their fifth full-length LP, My Entire Life.

“It tells a story of one of the most intense transformations in my entire life,” says Justin. “It feels like closing one chapter and turning the page on the next. There are repercussions and ripples from change that will affect me forever. It’s essentially about my life and the pain and beauty in it."

Roach is Miya Folick's clearest and most direct work yet, eschewing some of the lyrical and musical obfuscations she layered onto her 2018 debut album, Premonitions. With ear-worm melodies, heart-wrenching poetry, eclectic production and anchored by Folick's once-in-a-lifetime voice, Roach straddles a line between pop and something more experimental. She enlisted a team of collaborators who she trusted to bring out the grittier side of her artistry, including Gabe Wax (War on Drugs, Fleet Foxes), Mike Malchicoff (King Princess, Bo Burnham), Max Hershenow (MS MR) and a team of some of LA's best players. The result is an album that sounds as honest and intimate as the subject matter at hand, a candid snapshot of where she is now and what it took to get there. Matte Jacket, Printed Sleeve, Gatefold Insert.

Los Angeles-based experimental jazz collective High Pulp will release their new album Days in the Desert in peak sweltering summer heat on July 28. The titular desert is both literal and metaphorical: it's the Mojave Desert that the band powers through on their many DIY tours around the country, and the band's founder / drummer Bobby Granfelt perceives the desert as "a spiritual quest" as well. Amid the trials of our present moment, you must look within, relying solely on your own instincts to keep moving forward. "You're in the desert and it's a long, lonesome process and a lot of times you have to check yourself to ask 'Is this right? Is this good? Is it too out?'" he says.High Pulp's Days in the Desert makes this vision come true, finding the West Coast band fully emerging into their own sound. Rooted in the jazz tradition while also smitten by indie-rock and electronic music, High Pulp was willing to grab from all these sounds at once to pursue something truly their own. Their third full-length album (following 2022's promising Anti- debut Pursuit of Ends), Days in the Desert reveals the band realizing their strengths, deepening their own bonds, and pushing all these skills into a thrilling new sonic vista all but unimaginable just a few years before.

Unreal Unearth is the highly anticipated new album from Grammy nominated Irish singer-songwriter, Hozier. This 16 track collection has production credits for Hozier, as well as Jeff "Gitty" Gitelman, Jennifer Decilveo, and Bekon. Hozier burst onto the global music scene in 2013 with his hit single "Take Me To Church," now RIAA certified DIAMOND, with over 13 million in combined sales and streaming volume. Hozier, his self titled debut album from 2014 is RIAA certified 3x PLATINUM, and the 2019 follow up album Wasteland Baby! Is RIAA certified GOLD. Hozier has toured globally, and played numerous festivals including Coachella, Glastonbury, Bannaroo, ACL, and more. Light umber color vinyl, 2lp, gatefold, 12"x 12" two sided poster insert

As Australian metal juggernauts Parkway Drive gear up for a world tour to commemorate their 20th anniversary as a band, Epitaph Records announces the release of the band’s debut EP from 2004, for the first time on vinyl. This expanded version of Don’t Close Your Eyes includes the original 8 tracks from the band’s first EP , with the addition of bonus tracks included from both their split album with I Killed the Prom Queen and from the compilation albums What We’ve Built and True Till Death, Volume I.

Hailing from the beachfront town of Byron Bay, Australia, Parkway Drive blasted out of their serene surroundings touting a volatile blend of intricate metal riffing, punishing breakdowns, and hardcore’s emotional tension. The band caught fire regionally with the chart-topping Horizons (2007) and Deep Blue (2010), then broke into the international market in 2012 with the arrival of Atlas. 2015’s Ire saw the group introduce clean singing into their oeuvre, and they continued to move toward a more melodic, though no less aggressive metal style on 2018’s Reverence and 2022’s Darker Still.

Parkway Drive continue to be a force of nature, 20 years in and still one of the top headliners in the Hard Music scene. Don’t Close Your Eyes revisits the band’s beginnings and their completest fans will be excited to finally have this album available on Vinyl.

Composed over a two-year span driving back and forth on road trips across America, Mother Road, the new album from Grace Potter, is an audacious and heart-pounding map of the soul. Produced by Eric Valentine (Queens of the Stone Age, Nickel Creek), Mother Road is Grace’s fifth studio LP and follow-up to 2019’s acclaimed, GRAMMY-nominated, Daylight.

You’re The One is singer/songwriter/multi-instrumentalist, Rhiannon Giddens’ 5^th album and first full band release in over 6 years.  The album, which is her first album of all original songs (all written or co-written by Giddens), was produced by Jack Splash (St. Paul and the Broken Bones, Valerie June, Solange) and features guest appearances from Jason Isbell, Leyla McCalla, and Eryn Allen Kane.

Over the course of her career, Rhiannon Giddens has established herself as one of the most important artists in the world.  Her mission has been to lift up people whose contributions to American musical history have previously been erased, and to work toward a more accurate understanding of the country’s musical origins.  That work has led to massive press recognition and multiple GRAMMY wins; a McArthur “Genius” grant, hosting various podcasts and tv shows, amongst countless other initiatives

Wide-spine two-pocket Gatefold jacket, 2x Printed innersleeves. 2x Heavy 180g vinyl (1x "Sunset Burst", 1x "Cadillac Blue"). Australian indie folk rock band The Paper Kites release their highly anticipated sixth album - At The Roadhouse. The song and production background began when the band created a roadhouse in rural Australia, performing an unannounced month-long residency in the small Victorian town of Campbells Creek, whilst working on their sixth record. The atmosphere of the live performance is recreated with pedal steel and crooning vocals and harmonies. The song lyrics reminisce of a romance still as alive as a blue flame. "We had talked about this for years" Sam Bentley explains, "We were drawn to the idea of holding up in a town somewhere and playing the evenings as a house band. The Roadhouse became this place for us." Expanding their line-up, the five members of The Paper Kites recruited three extra musicians to make up their roadhouse band, including multi-instrumentalist Matt Dixon - who's weeping pedal steel features on the track - as well as Hannah Cameron and Chris Panousakis.

Golden State, the second full-length from singer/songwriter Logan Ledger, marks a stylistic departure from the timeless country noir of Ledger’s critically lauded debut. This time around, Ledger worked with producer Shooter Jennings, dreaming up a lush and spirited sound partly inspired by the California country-rock scene of the late-’60s and early-’70s. The result is a sublime setting for Ledger’s layered meditations on loss and despair and the search for transcendence.

Imagine the scorched sand, cardboard cowboys, and flooded sets of a never-made Italian spaghetti western, Wild Bird takes Coral fans to the clapperboard on a new story playing out all the way to the release of the band’s 11th studio album, Sea Of Mirrors. Following acclaimed album, Coral Island, the band felt inspired to create material: Sea Of Mirrors’ vivid concept is a blueprint for The Coral to move beyond all expectations once again. Indie Exclusive Multicolor LP.

Multi-platinum selling artist Thirty Seconds to Mars makes a triumphant return with their sixth studio album, It’s The End Of The World But It’s A Beautiful Day. The record heralds a new era for the band, one that not only explores the darker sides of the human experience but the hope as well, an arresting reminder that even in the face of seemingly impossible obstacles, there is still beauty to be found in the world.

Killer Mike’s MICHAEL marks the celebrated MC’s first solo project since 2012’s critically lauded R.A.P. Music; and serves as an introduction to the totality of Michael Render, a lifelong rap fiend whose consciousness is seeped in the sounds of community that raised him - multiple eras of southern rap flows, Sunday church service, and barbershop discourse.

The sophomore album from 11x Platinum-certified, 43x Gold-certified, and GRAMMY®-winning rock icon COREY TAYLOR .“I have no fear when it comes to music. None,” Corey Taylor declares. “It feels so good to really lean into the things that I've been chomping at the bit to do.” Those “things”? The 13 diverse, unforgettable songs on CMF2, ranging from the punchy, timeless first single “Beyond” to “Someday I’ll Change Your Mind,” a soaring, sentimental stunner with an infectious chorus. The songs move seamlessly from the punk rawness and anthemic rallying cry of “We Are The Rest” to the acoustic lament “Breath Of Fresh Smoke” to “Post Traumatic Blues,” which has a wild sensibility that echoes the lyrical topic of PTSD.

Hitchock and Herrmann, Spielberg and Williams, Zemeckis and Silvestri, Burton and Elfman, Fellini and Rota. There’s a certain kind of magic that happens when a director and composer work together for an extended period; their imaginations are fuelled by an artistic sensibility which becomes, inevitably, entwined. Such deep understanding between two artists has proffered memorable, even legendary, cinemusical experiences. But there’s another of these partnerships we must honour and mention in the same breath, that of director Hayao Miyazaki and composer Joe Hisaishi.

Reba McEntire will be releasing her companion album to her upcoming book-"Not That Fancy: Simple Lessons on Living, Loving, Eating, and Dusting Off Your Boots" which will be released on October 6th. All songs are stripped down/acoustic versions of some of her biggest hits and was produced by Grammy Winning producer, Dave Cobb. It will also include 3 new classic stripped down/acoustic songs that have never been released, and it will also include a brand-new song- "Seven Minutes in Heaven".

Global icon and recent Rock & Roll Hall of Fame inductee, Dolly Parton, has joined forces with some of rock music’s most legendary artists along with today’s biggest stars for her first-ever rock album, Rockstar. The ever-evolving Parton teamed up with an all-star roster of musicians for the 30-song collection which includes 9 original tracks and 21 covers of iconic rock anthems.