Bonobo will release new album Fragments, due on January 14, 2022 via Ninja Tune. Fragments is the most emotionally intense record that he - aka Simon Green - has ever had to make. It’s no surprise that it’s also his masterpiece. The album features Jamila Woods, Joji, Kadhja Bonet, Jordan Rakei, O’Flynn and Miguel Atwood-Ferguson. Born first out of fragments of ideas and experimentation, the album ultimately was fused together in a burst of creativity fueled by both collaboration and Green’s escape into the wild.

50th Anniversary Edition features direct-to-analog mastering from the original tapes by Kevin Gray. Included are 4 rare cuts making their vinyl debut, highlighted by the “stripped” version of the title song, plus six mono single mixes and B-sides. Pressed on 180-gram 2 LP in a tip-on heavy stock gatefold jacket with printed sleeves featuring lyrics, track details, a brief essay honoring arranger David Van De Pitte, and main essay by poet Hanif Abdurraqib.

Gold and clear vinyl LPs in separate jackets with custom dust sleeves, two posters, book, all enclosed in a hinged box.

Once Twice Melody is the 8th studio album by Beach House. It is a double album, featuring 18 songs presented in 4 chapters. Across these songs, many types of style and song structures can be heard. Songs without drums, songs centered around acoustic guitar, mostly electronic songs with no guitar, wandering and repetitive melodies, songs built around the string sections. In addition to new sounds, many of the drum machines, organs, keyboards and tones that listeners may associate with previous Beach House records remain present throughout many of the compositions.

Beach House is Victoria Legrand, lead singer and multi-instrumentalist, and Alex Scally, guitarist and multi-instrumentalist. They write all of their songs together. Once Twice Melody is the first album produced entirely by the band. The live drums are by James Barone (same as their 2018 album, 7), and were recorded at Pachyderm studio in Minnesota and United Studio in Los Angeles. For the first time, a live string ensemble was used. Strings were arranged by David Campbell.

The writing and recording of Once Twice Melody began in 2018 and was completed in July of 2021. Most of the songs were created during this time, though a few date back over the previous 10 years. Most of the recording was done at Apple Orchard Studio in Baltimore. Once Twice Melody was mixed largely by Alan Moulder but a few tracks were also mixed by Caesar Edmunds, Trevor Spencer, and Dave Fridmann.

Fear of the Dawn is the fourth studio album from Jack White, founding member of The White Stripes, The Raconteurs, and The Dead Weather. True to his DIY roots, this record was recorded at White's Third Man Studio throughout 2021, mastered by Third Man Mastering, pressed to vinyl at Third Man Pressing, and released by Third Man Records. Pressed on limited astronomical blue vinyl, only available at independent record stores

Super Deluxe contains 8 LPs on 180-gram heavy vinyl showcasing the newly remastered album from the original analog tapes along with 4 complete concerts on the Nevermind Tour from Amsterdam, Melbourne, Tokyo and Del Mar, California. Also included is a first-ever 7-inch for “Endless, Nameless” with B-sides “Even In His Youth” and “Aneurysm,” and a 40-page hardcover book with unreleased photos.

Sometimes, the best place to begin is at the end. If you really want to dig deep into Illusory Walls, the fourth album by THE WORLD IS A BEAUTIFUL PLACE & I AM NO LONGER AFRAID TO DIE, it definitely helps to do that. That’s because epic closer “Fewer Afraid”—all 19 minutes, 44 seconds of it—doesn’t just revisit the themes and ideas on the ten songs that precede it, but also offers a self-aware summary of the Connecticut band’s entire history. It’s the conclusion of all the stories within the record as well as a nod to all the lives that helped make them—little glimpses of everything that’s come before, on both a micro, immediate level, and a more universal one. “That song is a higher level look at my whole life and the whole world,” explains vocalist/guitarist David F. Bello, “as well as the album, our band and our discography. It places the band in the context of the rest of the world, as if we’re listening to everything that came before. It touches on all the themes of the previous songs, but there are also callbacks to songs
from earlier in our career. But in this song, they’re the object, not the subject—I’m talking about a world in which these things happen, not talking about these things happening.”

Due to the coronavirus pandemic, the band—completed by Steven K. Buttery (drums and percussion), Joshua Cyr (bass/vocals) and Katie Dvorak (vocals/synth)—had nothing but time to realize the full extent of their musical and thematic aspirations. And so, four years on from lauded third album Always Foreign, they were able to make what is undoubtedly the band’s most ambitious and epic record to date. Written and recorded remotely—a first for the band—Illusory Walls takes on the weight of human existence while it’s buckling under the pressure of today’s near-dystopian society. Personal anxieties and political struggles collide with a series of portentous, apocalyptic and dramatic tunes, resulting in some of the darkest music the band has made since forming in 2009.

Few artists are storytellers as deft and disarmingly observational as Andy Shauf. The Toronto-based, Saskatchewan-raised musician’s songs unfold like short fiction: they’re densely layered with colorful characters and a rich emotional depth. Like he’s done throughout his career, Shauf wrote, performed, arranged, and produced every song on his new album Wilds at his studio space in the west end of Toronto.

Over the course of a year-and-a-half, Shauf had written more than 50 songs, and pared down this massive body of work, into a single album’s worth of material, which became 2020’s highly acclaimed The Neon Skyline album. These songs focused on a theme by intertwining the individual characters stories of a group of friends who gathered for one night at the same local bar. Wilds includes songs from those same writing sessions, that did not fit into the Skyline storyline and had their own singular identity apart from that album, though he does revisit with his old friends Judy and Jeremy in this outing.

Hand Habits, the project of Los Angeles-based musician Meg Duffy (they/them), is back with their new album Fun House - the most ambitious Hand Habits album to date. Produced by Sasami Ashworth (SASAMI) and engineered by Kyle Thomas (King Tuff), the record was not intended as a reaction to the pandemic, but it was very much the result of taking a difficult, if much-needed, moment of pause. Emboldened by going into therapy and coaxed by Ashworth to push the songs into unexpected new shapes, the resulting music is more acutely personal and stylistically adventurous than anything you’ve heard from Hand Habits before. The push/pull of styles, paired with songs that move deftly between the present and past, give the record a wildly diverse, hall of mirrors quality that befits its name. Where previous Hand Habits records could be fairly insular affairs, Fun House feels ebullient, lush, a fully-realized conversation.

Mastodon will release their anxiously awaited ninth full-length album, HUSHED AND GRIM, on October 29, 2021 via Reprise Records. Over the past year, the group recorded the album in their hometown, collaborating with producer David Bottrill [Tool, Rush, Muse, Peter Gabriel] behind the board. As their most ambitious body of work to date, it consists of 15 tracks, surveying sonic landscapes of rock, psychedelia, punk, metal, alternative, and prog threaded together by the innately expressive musical interplay of these four musicians. At the same time, an atmosphere of loss, loneliness, and longing permeates through the trio of cathartic vocals as they musically say goodbye to old friend, confidant, and longtime manager the late Nick John by architecting a magnum opus that bears the influence of his eternal memory.

The War On Drugs announce I Don’t Live Here Anymore, their first studio album in four years, out October 29th on Atlantic Records. Over the last 15 years, The War on Drugs have steadily emerged as one of this century’s great rock and roll synthesists, removing the gaps between the underground and the mainstream, making records that wrestle a fractured past into a unified and engrossing present.

Just a month after A Deeper Understanding received the 2018 Grammy for Best Rock Album, the band retreated to upstate New York to jam and cut new demos. It was the start of a dozen-plus session odyssey that spanned three years and seven studios, including some of rock’s greatest sonic workshops like Electric Lady in New York and Los Angeles’ Sound City.

The War On Drugs’ 2022 tour takes the band to some of the largest venues they’ve ever played, including their first headlining show at MadisonSquare Garden, as well as Los Angeles’ Shrine Auditorium, the Bill Graham Civic Center in San Francisco, the Ryman Auditorium in Nashville, two nights at the Chicago Theatre, Philadelphia’s Metropolitan, the House of Blues in Boston, and beyond.

"The dancer wants to get in a groove and stay there until he has exhausted his invention or his body. The timescale and momentum of any physical activity is vastly different from the attention span of listening."Albert Goldman "A good remix is when the remixer's sonic fingerprint is present, without sounding forced. It should feel like it's own story, with at least some of the same characters as the original." Khruangbin The art of the remix has been around for several decades, from the fervid imaginations of JA pioneers like Coxsone Dodd, Duke Reid or King Tubby to the disco enthusiasts of New York, such as Tom Moulton, who bequeathed us the modern iteration of the remix and provided a template from which most remixers still work. Moulton's first commercial remix, a reworking of BT Express' appropriately-named 'Do It 'Till You're Satisfied', which stretched it from three minutes to a luxurious five, assisted the band in securing it's first Billboard R&B Number One, as well as providing a pathway for remixers like Walter Gibbons, Larry Levan, Richie Rivera and Tee Scott, to completely reinvent the concept of a remix (and in some instances, deconstructing the idea of what comprised a song). It has subsequently been used as a marketing tool, a dancefloor-devastator, a gimmick (both cheap and expensive) or even as a way of reaching a different audience (think Tori Amos' 'Professional Widow'). Khruangbin are no slouches when it comes to the remix themselves. They've been reworked before, in 2016, with the highly collectible EP on Boogiefuturo. But this time, they're taking it a step further with an album dedicated to the art. Entering the tight-knit world of a Khruangbin song can be a little daunting. They have created this entire universe in which the trio seem to function telepathically in the way the music is composed, arranged and played. To mess with their delicate eco-system can invoke feelings similar to that of an unwanted guest crashing a good-time party. "We write our music to be interpreted; this is another wonderful interpretation of the music," reassure Khruangbin. "There is something very vulnerable about letting others work on your music. But through the correspondence with the different artists, we gained a bigger connection to the songs themselves." The choice of remixers for this album is neither arbitrary nor accidental. They're not names picked randomly out of a hat or chosen via a throw of the dice. All have some connection to the band, sometimes personal friendships, musical connections, or simply mutual musical appreciation. Harvey Sutherland and Ginger Roots have both toured with the band, Kadhja Bonet and Ron Trent had their own mutual fan club going on, Knxwledge sampled 'White Gloves' on a recent mixtape, Natasha Diggs and Soul Clap's Eli's are recent buddy-ups, Quantic is a mutual friend of Bonobo (crucial in the KB origin story), while I've known Laura for number of years; plus she is also godmother to one of Felix Dickinson's kids. Doesn't get much more intimate than that, right? Some of these remixes were specifically made so you can dance your ass off while getting down to the Khruangbin sound, while some might better be appreciated horizontally with headphones on, wearing fashionably loose clothes. The choice is yours. But all were made with love and respect for Khruangbin. "A good remix deconstructs, recontextualizes, or simply extends a good time," say the band. Amen and out. Bill Brewster

The fictional band from the NBC series Parks & Recreation is finally getting their due with a new album set to arrive on Aug. 27. And to mark the 10th anniversary of their Pawnee reunion performance where they debuted "5,000 Candles in the Wind" after the death of town mascot Lil' Sebastian, a new video and digital release for the song has arrived.

Led by Andy Dwyer, who previously fronted A.D and the D Bags, The Andy Andy Andies, Andy Dwyer Experience, Angelsnack, Crackfinger, Death of a Scam Artist, Department of Homeland Obscurity, Everything Rhymes with Orange, Fiveskin, Flames for Flames, Fleetwood Mac Sexpants, Fourskin, God Hates Figs, Handrail Suicide, Jet Black Pope, Just The Tip, Malice in Chains, Muscle Confusion, Ninjadick, Nothing Rhymes with Blorange, Nothing Rhymes with Orange, Penis Pendulum, Possum Pendulum, Punch Face Champions, Puppy Pendulum, Radwagon, Razordick, Scrotation Marks, Tackleshaft, Teddy Bear Suicide, Threeskin, Two Doors Down and Scarecrow Boat, the group is finally issuing their debut album.

The buzz from Mouse Rat’s performances at Pawnee’s Snakehole Lounge led to Dualtone’s partnership with Entertainment 720 co-founder and Snakehole Lounge part owner Tom Haverford. “Any creative business coming out of Pawnee is tied to Haverford” said Dualtone President Paul Roper, “From Rent-a-Swag to Tommy Fresh cologne and Tom’s Bistro, not to mention his business ideas not yet formed like the scented phone, talking tissues, contact lenses that display text messages and the glitter-infused laundry detergent Sparkle Suds, partnering with Entertainment 720’s hype machine was essential. The man is an idea factory.”

Roper continues, “This is about the team as much as it is the music. Andy’s wife and manager April Ludgate Dwyer is a marketing genius. Selling CDs at the Parks and Recreation shoeshine stand for $18 each, $40 for the set?? I don’t know anyone else who could pull that off.”

Mouse Rat's The Awesome Album will feature guest turns by Duke Silver and Land Ho!. The album will be available via Dualtone in partnership with Entertainment 20.

This newly discovered live-recording of a performance of the Love Supreme suite is a revelation. Recorded at The Penthouse in Seattle on October 2, 1965, this recording transports the listener to a prime seat for piece of musical history. While not studio-quality audio, the power of the performance shines through. This version is also of the full suite and features an expanded band that includes the same Classic Quartet and Pharoah Sanders in his first official gig as part of Coltrane’s group.

To emerge from a global pandemic with a renewed sense of situational awareness, hard won insight, and a new album is the kind of move we’ve come to expect from THRICE over the last twenty years. With Horizons/East, Dustin Kensrue and his bandmates address, with candor and courage, the fragile and awkward arrangements that pass for civilization, while inviting us to dwell more knowingly within our own lives. Without surrendering any of the energy and hard edge of their previous albums, they’ve given us a profoundly meditative work which serves as a musical summons to everyday attentiveness.

Since forming THRICE with guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge in 1998, Kensrue has never been one to back down from a mental fight. This mood is set by the opening synth-driven number “Color of the Sky,” which sounds well-suited to accompany the closing credits of the Stranger Things season finale. Think Flying Lotus giving way to Elbow and setting the listener down in a new dimension. A self-recorded effort, Horizons/East conveys a palpable sense of danger, determination, and possibility.

Sometimes, Forever, the immersive and compulsively replayable new Soccer Mommy full-length, cements Sophie Allison’s status as one of the most gifted songwriters making rock music right now. The album finds Sophie broadening the borders of her aesthetic without abandoning the unsparing lyricism and addictive melodies that made earlier songs so easy to obsess over. To support her vision Sophie enlisted producer Daniel Lopatin, whose recent credits include the Uncut Gems movie score and The Weeknd’s Dawn FM.

Meet The Moonlight, Johnson's eighth studio LP and first full-length release in five years, was produced by Blake Mills (Alabama Shakes, Perfume Genius, Jim James) and recorded in Los Angeles and Hawaii. The creation process marks a major artistic milestone from past work, taking shape from a one-on-one collaboration with Mills and unveiled an intimate and highly experimental process that involved embedding Johnson's elegantly stripped-back arrangements with enchanting sonic details.

Conan Gray has emerged as one of the pre-eminent pop superstars of his generation. After the commercial success of the global multi-platinum hits, “Heather” and “Maniac,” his music maintains its unflinching authenticity and originality. Gray’s debut album, Kid Krow, reached #5 on the Billboard 200, #1 on the Billboard Pop Albums chart, and was the biggest new artist debut of the year. Gray’s much anticipated sophomore album, SUPERACHE, is set for release on June 24, 2022.

On the deluxe edition of her breakthrough album, Arooj Aftab's remarkable voice, backed by a team of renowned musicians, transports listeners to worlds once known. Intimate compositions unveil mystical passage into Aftab's emotionally gripping symphonic world - vast with colorful sounds and transcendent of genre.

'Heart Under', Just Mustard's second album, asks you to forget what you know. At every turn, this remarkable record reconfigures and stretches the ideas and ambition of a rock band, and turns a year of lockdown and personal struggles into a breathtaking artistic statement. The music the five friends from Dundalk, Ireland make is strikingly untraditional. Though to look at them, it appears that the band are a five-piece with uniform make-up of a vocalist, two guitarists, a bassist and a drummer, not a single one of them utilizes their instrument in a confined or regular fashion. Guitarists David Noonan and Mete Kalyoncuoglu make their six-strings shriek and wail, the sounds produced sounding like everything from whirring machinery to horror movie monsters. Behind them, drummer Shane Maguire uses the rim of his drums almost as much as the skins, providing a clattering, metallic backbeat. Most of the melodies on offer poke through from Rob Clarke's inventive, nodding bass lines. Then there's Katie on vocals; she's the transfixing focal point of the band. Across its 10 tracks, the album presents a coherent style and ethos ' those scything guitars, Katie's magical vocals ' but still incorporates a wide and untethered vision. There are brooding, atmospheric rock songs and others that apply a lighter, dreamier touch, all tied together with impeccable instrumentation and a united vision. 'Heart Under' serves as the next stage of this development, with every instrument brilliantly pushed to its limit and every boundary of the band stretched.

Jasmyn is the new solo project created by Jasmyn Burke, former singer-song- writer and frontwoman of the critically acclaimed Canadian band, Weaves. Having two JUNO nominations for Alternative Album of the Year and two SOCAN Songwriting Prize nominations, Burke has established herself as one of Canada’s most exciting and fresh voices.

With this new project, she has decided to use her own name, Jasmyn, to mark the start of exploring her own unique sound as a solo artist. Collaborating remotely with Los Angeles-based producer John Congleton (St. Vincent, Angel Olsen, Sharon Van Etten) on a body of work she had compiled over months of being in lockdown. Finally in the Spring of 2021, Jasmyn went to LA to record with Congleton, exploring themes of finding patterns in life and how to perhaps change them.  

On the general direction of her new album In the Wild, Jasmyn said, “This was written during the Fall of 2020; The world was feeling pretty heavy, and I felt myself wanting to write music that created a mood of happiness and space to grow. I feel like I have grown and changed as a person over the last few years and wanted to write songs that created a sense of confidence and well-being.”

With Weaves receiving worldwide support from the likes of Rolling Stone Magazine, NPR, Pitchfork, and more, Jasmyn is excited to share a new side of herself, perhaps her most honest and raw work to date.

"El Alimento (translation: the nutrient) is the monumental second album from Cimafunk, the Cuban medical-student-turned-Latin-funk-star who crash-landed onto the music scene with his debut album Terapia in 2017 and an electric live show that been compared to that of James Brown. The sonically dynamic collection masterfully blends Afro-Cuban sounds and rhythms with global funk, hip hop and soul—resulting in a progressive, head-bopping celebration of black music’s power to eclipse borders and cross-pollinate across cultures. Written and recorded over the last year, the album served as an alimento for the soul, a motivation to persevere through the pandemic, as Cimafunk spent countless hours studying decades of musical influences to help understand who he is musically and culturally, and thus, where he wanted this album to take him.

As innovative funk forefather George Clinton (Parliament-Funkadelic), who sings alongside Cimafunk on the opening track "Funk Aspirin," says: “Cimafunk takes it back there while keeping it in the now. It’s what we do, always reinventing the Funk to keep it fresh.”

The 13-track album was co-produced by Cimafunk and Grammy Award-winning producer Jack Splash (Kendrick Lamar, Alicia Keys, John Legend, Goodie Mob, Valerie June, Tank & the Bangas). El Alimento also includes collaborations with US hip hop stars Lupe Fiasco and CeeLo Green; Jamaican dancehall singer Stylo G and Afro-Colombian hip hop group ChocQuibTown; as well as Cuban musicians Chucho Valdes, an AfroCuban jazz icon and '70s funk pioneer, Los Papines, a Cuban Rumba group whose career spans six decades, and AfroCuban rapper and Reggaetonero El Micha."

Originally released in 2003 with 30 tracks, UMe has updated the classic Sounds Of Summer compilation by The Beach Boys. The Expanded Edition 6 LP set features 80 key tracks from their storied career (all newly remastered) with 24 new stereo mixes, including two first-time stereo mixes. Limited pressing on 180-gram vinyl with updated photos and liner notes.

In April of 2021, 13 months into quarantine, Rick Springfield and his band performed his most iconic album, “Working Class Dog,” from start to finish live at Rick’s home in Malibu in celebration of its 40th Anniversary. The resulting work is a renewed interpretation of a classic. The DVD features behind-the-scenes footage, all the joyful live performances, plus 4 bonus Rick Springfield hits: “Love Somebody,” “Don't Talk to Strangers,” “State of the Heart,” and “Affair of the Heart.”

40 oz. to Fresno is the highly anticipated 6th studio album by Joyce Manor. Produced by Rob Schnapf, this 9 song album is an honest, hard-hitting, post-emo, power pop masterpiece packed with the elevated writing and earnest delivery Joyce Manor is loved for.

Joyce Manor has toured extensively and their live show has been the driver behind the band’s success. They have made festival appearances at FYF Fest, Coachella, Riot Fest and since the release of their last studio album in 2018, the band has headlined NYC Central Park SummerStage, sold out two nights at the Palladium in LA, and sold out two matinee show at LA’s historic Union Station.

Joyce Manor is a band from Torrance, CA consisting of Barry Johnson (vocals/guitar), Chase Knobbe (guitar), Matt Ebert (bass), Neil Hennessy (new drummer, from The Lawrence Arms). Johnson and Knobbe started the band in 2008 in the Disneyland parking lot, named after an apartment complex that Johnson would walk past every day. Joyce Manor made their debut as an acoustic two-piece. Quickly they learned that playing loud was much more fun and invited friends to join the lineup. The band has released five studio albums; Joyce Manor (2011), Of All Things I Will Soon Grow Tired (2012), Never Hungover Again (2014), Cody (2016), and Million Dollars to Kill Me (2018).

Madman Across the Water, released in 1971, is the 4th studio album by Elton John. The 4 LP box set includes a 40-page booklet with introductions by Elton and Bernie, photos and a full essay featuring interviews with many who helped make the album, a reproduced 1971 poster, plus memorabilia and artwork from the Rocket Archive. LP 1: Remastered version of the album. LP 2 & 3: Piano demo version of the album + live and alternate versions. LP 4: BBC Sounds for Saturday concert, first aired in 1972.

Carrie Underwood - Denim & Rhinestones

Carrie Underwood will be releasing a brand new studio country album on June 10th called Denim & Rhinestones. The album includes 12 tracks including her latest hit single- "Ghost Story". Carrie is a true multi-format, multi-media superstar, spanning achievements in music, television, film, and as a New York Times bestselling author and successful entrepreneur. She has sold more than 66 million records worldwide, recorded 28 #1 singles (14 of which she co-wrote), and has seven albums that are certified Platinum or Multi-Platinum by the RIAA, all while continuing to sell out arena tours across North America and the UK.

7 years after their last studio album, The Inevitable End, and their farewell to the traditional album format, Röyksopp unveils Profound Mysteries, an expanded creative universe and a prodigious conceptual project. In 2022, they embark on a new chapter in their career and musical oeuvre, exploring technology and nature in a similar fashion as in their youthful days in Tromsø, but with added profundity. "As human beings, what we don't know vastly overshadows what we do know. As teenagers, we would discuss our own fascination and preoccupation with the infinite and the impossible - the most profound mysteries of life." After stepping on a lot of puffball mushrooms out in the forest and emerging from an organic cloud of dust, they deliver their most extensive work to date and reveal once more why only Röyksopp is Röyksopp.

Post Malone’s 4th studio album, Twelve Carat Toothache, is his most intimate and personal opus to date. Throughout the 14 tracks, Post takes us with him on his trials with fame, giving a glimpse into the irony of seemingly having it all, but feeling like nothing all at the same time. In an interview with Billboard, Post explained he wants the new songs to “speak more to how I’m feeling at the moment: the ups and downs and the disarray and the bipolar aspect of being an artist in the mainstream.”

On her sophomore album, S.G. Goodman brings a series of powerful vignettes to life, with a sound that builds off her Southern roots but ventures deeper into indie rock and punk. Teeth Marks is about what love actually is: its psychological and physical imprint, its light, and its darkness.

Darius Rucker will be releasing his #1's on CD for the first time. It includes 10- #1 Hits that span over 10 years. It begins with "Don't Think I Don't Think About It" which was his first #1 and all of the way up to 2020 with his #1- "Beers and Sunshine". Darius has released 5 solo country albums on Capitol Records Nashville that have included 10 #1 Country Songs.

Released in 1970, Watertown is a lost masterpiece. It was a turning point for Frank Sinatra: a concept album from the man who pioneered the concept album, written by Bob Gaudio, of Four Seasons fame, and Jake Holmes, who previously had written the Four Seasons’ own concept album.

Despite a top 5 AC chart showing for the single “I Would Be In Love (anyway),” the album was poorly received at the time, but has gone through a re-evaluation in recent years and is now considered one of Sinatra’s finest recordings.

The LP edition featuring the original 10-track sequence, a package with all original lyrics, a printed sleeve with new liner notes, a track-by-track breakdown from Mr. Gaudio, and a 12” X 24” poster.

 

"Fusing elements of each of his early influences, from Joni Mitchell to Phoebe Bridgers, Zaidi is creating soundscapes that bring awareness of documenting the euphoric high-and-low feelings of youth." - Unpublished Magazine. "Reminds us of the Garden State soundtrack in all of it's closeness and acoustic guitar strumming. This one's terrific." - American Songwriter. '2013' is a sweeping nostalgic offering from Zaidi... emotive, lyrically dense reflections... pulling from folk touchstones." - Under The Radar. "Formerly lo-fi, now increasingly hi-fi future soul musician." - KEXP

"'Paper Vows' is a chilled melodic gem, with Birkenes gliding over top of synth bass, glossy electronics, and a slick beat. Though the results are undeniably dreamier, beneath the production Birkenes' resonant vocal talents and skill with a pop hook are on full display. Lyrically, the track is a biting look at changing gender norms, with Birkenes seizing her own power and independence back. As she says early in the song, "I see that I'm / the one to save me." - Under The Radar

Berlin's most important rock band Kadavar collude with US prog rock wunderkinder Elder, and decided to drown in sound together. What surfaced is "A Story of Darkness & Light", a marvel of musical liberty, a gushing opus between rock, prog and alternative, held together by the two bands' contrasts. Tiger Bartelt, Lupus Lindemann, and Simon Bouteloup of Kadavar as well as Michael Risberg, Nick DiSalvo, and Georg Edert of Elder (minus bassist Jack Donovan who wasn't allowed to travel from the US) extract an arcane and fleeting magic from the primordial broth of rock, the kind of magic that can only work when everything is in fluid. When nothing is disturbing the creative process, when there is no external or internal pressure whatsoever. Never before did the music of these bands breathe in such a way. Never before did they sound as versatile, as surprising and as peculiar as they do here.

Indie Exclusive Baby Pink LP. Limited Edtiion.

Diamond Star Halos is the brand new album from Def Leppard, their first since their chart topping self-titled Def Leppard record in 2015. Written by the band over the past two years it features 15 tracks including the anthemic, stadium-ready singles “Kick” and “Fire It Up”, with guest vocals from Alison Krauss on “This Guitar” and “Lifeless”. The album title references T. Rex’s “Bang a Gong (Get It On)” with nods to T.Rex, David Bowie and Mott The Hoople across the album, which mixes the sound of their classic spirit with modern fire.

This 10LP box set collects all of ABBA's nine studio albums as well as the specially curated disc of tracks that were only released as singles.

The set, which includes the quartet's triumphant 2021 reunion set, Voyage, coincides with the opening of the unique concert experience ABBA Voyage at the ABBA Arena, Queen Elizabeth Olympic Park, in London. The 10LP edition is pressed on 180-gram, heavyweight vinyl and housed in a bespoke box.

The 10LP box set brings the ABBA story right up to date with the inclusion of Voyage, the 2021 album that added a spectacular new chapter to their unrivalled story. It topped the charts in 18 countries around the world, winning numerous platinum and gold certifications and becoming the group's highest-ranking album in the US in ABBA's history, at No.2. Voyage topped the charts in the UK and across most of Europe, as well as in Australia. Despite only being released in November 2021, it became the No.1 album of the year in Germany, Sweden, and elsewhere, and No.3 in the UK.

The set also includes ABBA Tracks, with such non-album singles as "Gimme! Gimme! Gimme! (A Man After Midnight)," "Fernando," and other favorite B-sides.

FEATURES:

• 10LP Box Set Featuring All 9 Studio Albums!
• Updated With ABBA's 2021 Reunion Album, Voyage!
• Includes A Bonus Tracks LP!
• Pressed On 180g Vinyl!

ABBA - "Vinyl Album Box Set"

Harry’s House is the third solo studio album from Grammy award-winning global superstar Harry Styles. The 13-track full-length album was recorded in multiple locations across the UK, Los Angeles and Tokyo from 2020 to 2021. It was written by Harry alongside frequent collaborators Kid Harpoon, Tyler Johnson, and Mitch Rowland.

Iconic singer Mavis Staples is an alchemist of American music, and during her 70+ year career one of her most beloved musical moments was her riveting performance in Martin Scorsese's film' The Last Waltz,' performing "The Weight", with The Band, a moment that forged a life-long friendship between her and Levon Helm. Staples came to Woodstock, NY to perform as part of Helm's renowned Midnight Ramble series, and the ensuing concert-available now for the first time on the rousing new ANTI- Records release 'Carry Me Home'-would mark a personal high watermark for both artists. Captured live in the summer of 2011, 'Carry Me Home' showcases two of the past century's most iconic voices coming together in love and joy, tracing their shared roots and celebrating the enduring power of faith and music. The setlist was righteous that night, mixing vintage gospel and soul with timeless folk and blues, and the performances were loose and playful, fueled by an ecstatic atmosphere that was equal parts family reunion and tent revival. Read between the lines, though, and there's an even more poignant story at play here. Neither Staples nor Helm knew that this would be their last performance together-the collection marks one of Helm's final recordings before his death-and listening back now, a little more than a decade later, tunes like "This May Be The Last Time" and "Farther Along" take on new, bittersweet meaning. The result is an album that's at once a time capsule and a memorial, a blissful homecoming and a fond farewell, a once-in-a-lifetime concert-and friendship-preserved for the ages. Staples and the night's soulful crew of backup singers handle the vast majority of the vocal work here, but it's perhaps album closer "The Weight," which features Helm chiming in with lead vocals for the first time, that stands as the concert's most emotional moment."It never crossed my mind that it might be the last time we'd see each other," says Staples. "He was so full of life and so happy that week. He was the same old Levon I'd always known, just a beautiful spirit inside and out." "My dad built The Midnight Rambles to restore his spirit, his voice, and his livelihood," says Helm's daughter, Amy, who sang backup vocals with her father and Staples at their performance. "He'd risen back up from all that had laid him down, and to have Mavis come sing and sanctify that stage was the ultimate triumph for him."

In May of 1957, Art Blakey and his Jazz Messengers went into the studio with Thelonious Monk to record a one-off album for Atlantic. The Jazz Messengers were a loose collective of young Jazz musicians, with a constantly rotating lineup to keep the music fresh and help launch new careers. In this iteration we find Art Blakey on drums, Thelonious Monk on piano, Johnny Griffin on tenor saxophone, Bill Hardman on trumpet and Spanky DeBrest on bass. -Blakey had recorded with Monk on various occasions, but this was the first time Monk sat in with the Jazz Messengers. This also marks Thelonious Monk’s only appearance on Atlantic Records. The result is a true meeting of the minds, a beautiful union of Monk’s melodies with Blakey’s unshakable sense of swing. This 65thAnniversary deluxe edition includes an extra disc ofunreleased outtakes, celebrating the most sensational jazz collaboration of the 1950s.

Released in 1961, My Favorite Things made John Coltrane a star with box-office pull previously reserved for the likes of Dave Brubeck and Miles Davis. The dazzling quartet treatment of the Richard Rodgers hit song features Coltrane on soprano saxophone for the first time on record and became an instant hit single in its own right. The album also became a major commercial success, receiving the Grammy Hall of Fame award in 1998 and attaining gold record status in 2018. The recently uncovered mono version of this album—once believed to be lost forever—is included in this deluxe package along with the stereo version, both having been mastered from the original tapes. This 60th Anniversary deluxe edition also includes liner notes by award-winning writer Ben Ratliff, as well as photos and Atlantic Records ephemera.

Dropout Boogie (INDIE EX) - The Black Keys

This is the indie exclusive White LP - limited to 4982 pieces.

As they've done their entire career, The Black Keys' Dan Auerbach and Patrick Carney wrote all of the material for their new album,Dropout Boogie, in the studio, and the album captures a number of first takes that hark back to the stripped-down blues rock of their early days making music together in Akron, Ohio, basements. After hashing out initial ideas at Auerbach's Easy Eye Sound studio in Nashville, the duo welcomed new collaborators Billy F. Gibbons, Greg Cartwright, and Angelo Petraglia to the sessions, marking the first time they've invited multiple new contributors to work simultaneously on one of their own albums.

BLACK KEYS / DROPOUT BOOGIE (INDIE EXCLUSIVE)

Florence + The Machine releases 5th studio album, Dance Fever. Written & produced through the haze of two lockdowns, in London & NY with producers Jack Antonoff & Glass Animals’ Dave Bayley. Dance Fever sees Florence at the peak of her powers, coming into a fully realized self-knowledge, poking sly fun at her own self-created persona, playing with ideas of identity, masculine & feminine, redemptive, celebratory, stepping into her place in the iconic pantheon. Indie Grey 2LP. 4th side etching.

A legendary event in the incredible 60-year history of the Rolling Stones is available for the first time in-full. ‘Live At The El Mocambo’ marks the first official appearance of the group’s two famous secret concerts at the 300-capacity Toronto club in March 1977. It features the Stones’ full set from the March 5 show, plus three bonus tracks from the March 4 gig, newly mixed by Bob Clearmountain. Now available on 4LP black vinyl housed in a die cut slipcase with etching.

Best New Artist GRAMMY nominee and critically acclaimed band Tank and The Bangas return with their third studio album, Red Balloon. Red Balloon was born out of a pandemic-ordered break from the band’s rigorous touring schedule. The hiatus gave the band space to grow, allowing them to reunite as a more unified group. This new work pushes the band to a new level, shedding light on their unique observations and reflecting on the ills of America while also celebrating the beauty of Black life.

With its latest album, Fortune Favors The Bold, Russell County, Virginia-based 49 Winchesteris ready and roaring to break onto the national scene with its unique brand of tear-in-your-beer alt-country, sticky barroom floor rock-n-roll, and high-octane Appalachian folk.

Fortune Favors The Boldis not only a record that showcases the current state of 49 Winchester, it’s a melodic stake in the ground of how this group is constantly evolving and taking shape, sonically and lyrically. But, it’s also about looking into the rearview mirror with a genuine appreciation for where you came from and what you’re made of. Those salt-of-the-earth traits in your blood and character that define what it actually takes to climb that damn mountain of dreams. At its essence, Fortune Favors The Boldis about going against all odds to bring your art into fruition and into the world - come hell or high water.

The latest album from the prolific singer-songwriter offers a unique window into life’s next chapters. 

Lyle Lovett returns with his first new album in over 10 years,“12th of June”, due out on Verve Records May 13th, 2022. The album is a fantastic and eclectic collection of new original songs and beloved interpretations that will please existing fans as well as invite new ones. Immaculately recorded, it highlights the dynamics of Lyle and his Large Band– and their singular ability to shift from one genre to the next with uncanny grace and ability.  From beautiful acoustic ballads to swinging big band numbers, this record will remind listeners why Lyle is national musical treasure.

Debut Album Solidifies Mallrat's Reputation as a Master of Clever, Timeless Pop

Available On Limited Edition [COLOR] Vinyl + CD Mallrat's prized pop songwriting has become a beacon the music industry eagerly follows, and on her debut album Butterfly Blue, she embodies the spirit of it's titular creature - but without the delicacy that keeps you at a distance. Over a dozen clever and open-hearted tracks, Mallrat - aka Grace Shaw - draws you in close and shows you the world through her wide, hopeful eyes.

WE is the new album from Canadian rock band Arcade Fire. This is the sixth Arcade Fire studio album, and is made up of seven songs that speak to this moment with unique directness. Written, recorded, and released during a critical historical juncture, they are divided into two distinct sides, “I” and “WE.” If the “I” side of the record evokes and embodies our holed-up anxiety and lack of physical connection, the “WE” side captures the excitement of new possibilities and the elevating thrill of committing to one another socially and personally. Produced by Nigel Godrich, Win Butler & Régine Chassagne, WE is a 40 minute epic as much about the forces that threaten to pull us away from the people we love, as it is inspired by the urgent need to overcome them.

The Gods We Can Touch is an elegant and celestial but provocative album about shame, desire and morality, all seen through the narrative prism of Greek mythology. In each of the album's fifteen songs we meet a different god. Featuring lead single "Cure For Me," the album is ultimately "a celebration of being human, and what makes us human."

The 2 CD companion piece to Sheryl Crow's forthcoming feature documentary, Sheryl, featuring 35 songs spanning 3 decades of music from the 9-time GRAMMY Award winner. 3 new songs are included with her hits "If It Makes You Happy," "Soak Up the Sun," "All I Wanna Do," "My Favorite Mistake," "Redemption Day," and many more! Sheryl Crow has sold more than 35 million albums worldwide.

The multi-instrumentalist duo that comprises Hermitude - Luke Dubber (aka Luke Dubs) and Angus Stuart (aka El Gusto) holed up together in Angus' home with a pared-back music setup, they began a process that was all about taking back control over how and why they make music as Hermitude. The duo recorded vocal sessions in-person to create a more intimate experience. You can hear it in the way the drums coil themselves around the closely recorded vocals of "When U Feel Like This (feat. The Jungle Giants)," or the confidence in "Promises (feat. Andie)" that allows her voice to soar into the upper octaves easily. This control over their process led to a loosening of their creative inhibitions. A year and a half later, Mirror Mountain was finished. The album acts as a reawakening, a place to draw strength as time goes by. "The production quality & mixing all around is super clean and polished, it's delectable to the ears." - Banger Sound

Ukulele Songs comprises a fine mixture of original material penned by Vedder that he initially performed live, alongside vintage classics and standards. A recast, uke-driven version of "Can't Keep," which originally appeared as the opening track on Pearl Jam's hard-charging November 2002 album Riot Act, opens the proceedings, while newer-bred original songs like the resigned lament of "Sleeping By Myself," the charming love orbit of "Satellite," the hopeful brightness of "Light Today," and the instrumental interlude "Waving Palms" all set the table for the 35-minute album.

Guest vocalists appear on a pair of key Ukulele tracks, both of them fine covers of notable standards. First, Glen Hansard (The Frames, Once) adds his Irish folk DNA to "Sleepless Nights," which was written by Felice and Boudreaux Bryant and remade by The Everly Brothers in 1960, in addition to later being covered by the likes of Emmylou Harris, Patty Loveless, and Elvis Costello.

Second, Cat Power lends her passionate tone to "Tonight You Belong To Me," a jazz standard written in 1926 by lyricist Billy Rose and composer Lee David. This track has also been subsequently covered by the likes of Frankie Laine, Patience and Prudence, and Dottie West. Versions of "You Belong To Me" were also recently featured in the acclaimed 2019 film drama Blackbird and in an episode of the 2020 HBO horror-drama series Lovecraft Country.

The LP's other noteworthy covers include stirring takes on Billy Rose and Edward Eliscu's "More Than You Know," Michael Edwards and Bud Green's "Once In A While," and the album-closing reading of Fabian Andre, Wilbur Schwandt, and Gus Kahn's "Dream A Little Dream."

Produced by Eddie Vedder and Adam Kasper (Foo Fighters, Soundgarden), Ukulele Songs peaked at No. 4 on the U.S. Billboard 200, hit No. 2 on the U.S. Top Rock Albums on Billboard, and achieved Gold status in Canada.

EDDIE VEDDER / UKULELE SONGS

Featuring a diverse and spectacular cast of collaborators, "The Atlas Underground Flood" is a treasure trove of creativity, spanning many genres. The album is the surprise sister record released on the heels of "The Atlas Underground Fire”. “Fire” and “Flood” are a continuation of the Rage Against The Machine guitarist’s groundbreaking 2018 album, “The Atlas Underground.” Morello’s insane guitar playing is on full display taking the instrument into the future and forging an alternative/rock/EDM masterpiece with heavy metal legends, punk icons and cutting edge firebrands.

When a few friends offered to make a debut recordon him, Nashville songwriter Aaron Raitiere simply agreed to go along with it. In the four years since that first session for what would become Single WideDreamer, the auspicious project has retained its casual charm even as its guest list gradually expanded.Anderson East and Miranda Lambert, who co-produced the album, now appear alongside Nashvillemusicians like Dave Cobb, Natalie Hemby, Ashley Monroe,and Waylon Payne, as well as RobertRandolph, Foy Vance, and Bob Weir.“I think the record kind of made itself, and that was the vibe I was going with,” Raitiere says. “It was just a bunch of friends getting together trying to help me create something, because they thought I needed a record." The first sessions took place in East Nashville, where Lambert had just completed work on her album, The Weight of These Wings. Raitiere gave his producers complete creative control, from curating the songs to suggesting arrangements to adding guest vocals.He even rode into the studio with them everyday. Two years later, to round out the project, Eastand Raitiere reunited in RCA Studio A, ultimately ending up with 18 tracks in all and narrowing them down to 10.With a laid-back, speak-singing delivery, “SingleWide Dreamer” immediately conveys Raitiere’s contentment in living a low-key life. And although every song on the album could be considered a love song in its own way, what really ties them together is his observant writing, which is sometimes reflective, sometimes irreverent, but always inspired by his own experiences.

Released in 1965 My Generation was the debut album by The Who. The album peaked at #5 in the UK & launched the band into worldwide acclaim. Containing “My Generation”, “The Kids are Alright” & “The Ox” mastered by long time Who engineer Jon Astley from the original tapes. Packaged in original sleeve with obi & certificate of authenticity, this black vinyl version is engineered by Miles Showell at Abbey Road Studios with a half-speed mastering technique which produces a superior vinyl cut.

A Quick One was released in 1966, containing experimental music Suite (a nod to Rock Operas that were to follow). The album contains “Boris the Spider”, “Don’t Look Away” & has been mastered by long time Who engineer Jon Astley from the original tapes. Packaged in original sleeve with obi & certificate of authenticity, this black vinyl version is engineered by Miles Showell at Abbey Road Studios with a half-speed mastering technique which produces a superior vinyl cut.

Love & Algorhythms is an interstellar synthesis of astral Soul, R&B, and sci-fi Funk. Working with producer Paul Butler (The Bees, Micheal Kiwanuka, Caroline Rose, Hurray for the Riff Raff), Seratones have taken the invitation to knock at the door of the cosmos. A.J. Haynes’s voice dances with soul-stirring devotion at the altar of Black Feminisms: weaving the words Toni Cade Bambara, Octavia Butler’s Xenogenesis multiverse, echoes of bell hooks, and Audre Lorde’s Power of the Erotic. With drummer Jesse Gabriel’s machine-like precision and the transcendental touches from guitarist Travis Stewart, the album oscillates between Alice Coltrane-inspired bliss & Giorgio Moroder’s ecstatic release. Each song hovers and pulsates in the wide, dark matter—constellations guiding a journey through the subtle body, the vast fullness of the human experience and the irresistible potential of liberation.

Scheduled for release in April 2022, the 10-song sophomore full-length album showcases Kirke’s unselfconscious, country-twinged vocals alongside a brightly colored candy shop of glam-twang guitar riffs, department store tv commercial synth stylings, and swooping, lilting, unabashedly feminine background vocals. Lady For Sale channels a high-spirited insouciance that feels invigorating and familiar, decidedly more easy-going and fun-loving than what we’ve come to expect from its genre (and the world in general) in recent years. This is a party you’ll want to attend.

Norah Jones’ seminal debut album, Come Away With Me, became a global phenomenon reaching #1 in 20 countries, selling nearly 30 million copies, and sweeping the 2003 GRAMMY Awards with 8 wins including Album of the Year, Record of the Year, Song of the Year, and Best New Artist. The remastered 20th Anniversary Edition captures the emergence of a singular talent on this now-classic album.

"On Silver color vinyl. Toro y Moi’s seventh studio album, Mahal, is the boldest and most fascinating journey yet from musical mastermind Chaz Bear. The record spans genre and sound—encompassing the shaggy psychedelic rock of the 1960s and ‘70s, and the airy sounds of 1990s mod-post-rock—taking listeners on an auditory expedition, as if they’re riding in the back of Bear’s Filipino jeepney that adorns the album’s cover. But Mahal is also an unmistakably Toro y Moi experience, calling back to previous works while charting a new path forward in a way that only Bear can do.

Mahal is the latest in an accomplished career for Bear, who’s undoubtedly one of the decade’s most influential musicians. Since the release of the electronic pop landmark Causers of This in 2009, subsequent records as Toro y Moi have repeatedly shifted the idea of what his sound can be. But there’s little in Bear’s catalog that will prepare you for the deep-groove excursions on Mahal, his most eclectic record to date.
The second the album begins we’re immediately transported into the passenger seat, jeep sounds and all, ready for the ride Chaz and company have concocted for us. Seeds of some of Mahal’s 13 songs date back to the more explicitly rock-oriented What For? from 2015. Mahal was mostly completed last year in Bear’s Oakland studio with the involvement of a host of collaborators, Sofie Royer and Unknown Mortal Orchestra’s Ruban Neilson to Neon Indian’s Alan Palomo and the Mattson 2.

“I wanted to make a record that featured more musicians on it than any other record of mine,” he explains. “To have them live on that record feels grounded, bringing a communal perspective to the table.” As a result, Mahal is lush and surprising at every turn, from the cool-handed “The Loop,” which recalls Sly and the Family Stones, to the elastic psych rock of “Foreplay” and the dizzying Mulatu Astatke- recalling of “Last Year.”
Lyrically, the album zooms in on generational concerns, picking up where the Outer Peace standout “Freelance” effectively left off. Bear seems to be surveying the ways in which we connect with technology, media, each other, and what disappears as a result. Cuts like the squishy “Postman” and the “Magazine” take a deep dive into our relationship with media in a changing digital world. “It’s interesting to see how we adapt to this new age. We’re so connected, but we’re still missing out on things,” Bear ruminates while discussing the album’s themes.

It’s not all introspection. Bear cools things down near the album’s end with the Mattson 2-featuring “Millennium,” a laid-back jam with tricky guitar licks about ringing in new times even when everything else seems upside down. “It’s about enjoying the new year, even when it’s been shitty,” Bear explains. “There’s nothing else to do.” Finding a sense of joy in the face of adversity is embedded in Mahal’s DNA, right down to the jeepney that literally and figuratively brings the music out into the community. “We know that touring is messed up for now, and large gatherings are a fluke,” he explains. “It’s about the notion of us going out to the people and bringing the record to them.” And with the wide-open atmosphere of Mahal, Toro y Moi stands to connect with more listeners than ever before."

Trombone Shorty returns with Lifted, his first album in 5 years and the follow-up to his Blue Note debut Parking Lot Symphony, featuring special guests including vocalist Lauren Daigle & guitarist Gary Clark Jr. An album that captures the energy of his legendary live shows, Lifted combines classic New Orleans sounds (funk, gospel, street rhythms, Mardi Gras Indian chants & second lines) with modern lyrics, melody & beats to create something fresh & unique. Part Jimi Hendrix, part James Brown and all New Orleans, Troy “Trombone Shorty” Andrews is the bandleader and frontman of Trombone Shorty & Orleans Avenue, a hard-edged funk band that employs brass-band beats, rock dynamics & improvisation in a jazz tradition.

2020's A Hero's Death saw Fontaines D.C. land a #2 album in the UK, receive nominations at the GRAMMYs, BRITs and Ivor Novello Awards, and sell out London's iconic Alexandra Palace. Now the band return with their third record in as many years: Skinty Fia. Used colloquially as an expletive, the title roughly translates from the Irish language into English as 'the damnation of the deer'; the spelling crassly anglicized, and its meaning diluted through generations. Part bittersweet romance, part darkly political triumph - the songs ultimately form a long-distance love letter, one that laments an increasingly privatized culture in danger of going the way of the extinct Irish giant deer.

Gifts From The Holy Ghost, Dorothy Martin’s third studio album as frontwoman for the pseudonymous rock band Dorothy, is the album she’s always wanted to make. Born from a sense of diving urgency, it’s their most bombastic rock n’ roll work yet. While their debut album was made on a combination of whiskey and heartbreak, Gifts was built on sobriety, health, and spiritualism, in a way that reverses the clichéd “good girl gone bad” narrative. It features the Top 40 Rock track, “Rest in Peace.”

Nearly sixty years after they first played together, Ry Cooder and Taj Mahal, longtime friends and collaborators, reunite with an album of music from two Piedmont blues masters who have inspired them all their lives: GET ON BOARD: THE SONGS OF SONNY TERRY & BROWNIE MCGHEE.

With Taj Mahal on vocals, harmonica, guitar, and piano and Cooder on vocals, guitar, mandolin, and banjo-joined by Joachim Cooder on drums and bass-the duo recorded eleven songs drawn from recordings and live performances by Terry and McGhee, who they both first heard as teenagers in California.

TAJ MAHAL & RY COODER - GET ON BOARD

Joshua Hedley is “a singing professor of country & western,” he declares on his raucous and witty new album, Neon Blue. It might sound like a punchline, but it’s not. An ace fiddle player, a sharp guitarist, and a singer with a granite twang, he’s devoted his entire life to the study of this genre. Ask him about it and he’ll explain: “When all my friends went off to college, I went to Nashville. I was 19 years old playing honkytonks and getting an education.” His 2018 debut, Mr. Jukebox, showcased his deep knowledge of country’s history, in particular the beery ballads of the 1950s and ‘60s. His mentors were George Jones, Ray Price, and Glen Campbell, but his most remarkable accomplishment was putting his own spin on their style.

Neon Blue, on the other hand, examines a very different, often forsaken era: the early 1990s. “The last bastion of country music,” says the professor, “was the early 1990s, roughly 1989 and 1996. You could turn on the radio and immediately know you’re hearing a country song. You could still hear steel guitar and fiddle. But there was a hard fork around 1996 or ’97, when country veered off into pop territory. Neon Blue asks, What if that fork had never happened? What if country kept on sounding like country?”

That era may have been dismissed by traditionalists at the time as slick or overproduced, but Hedley finds something exciting in that old hat-act sound, and Neon Blue plays up the excitement of bigger-than-life choruses, the relatable emotions of those sad-eyed ballads, and the inventiveness of the lively production. “The sound is modern,” he says, “but it’s still discernibly country.”

The greatest bassist leader jazz has ever known, Charles Mingus, with his spirited playing and spontaneity, always kept his ears and fingers on the pulse. “Mingus was something else, man,” Miles Davis wrote in his own book. “A pure genius, I loved him.”-This year marks the birth centenary of Charles Mingus, whose musical legacy is still ongoing. From artists like Kamasi Washington bringing him to a new generation, Chrissie Hynde, whose latest album includes a Mingus cover, Candace Springs, Elvis Costello, to Gang Starr sampling him, and Joni Mitchell writing lyrics to his music. -Originally released in 1957 on the Jubilee label, Mingus Three is one of only two albums led by Mingus in a trio setting, featuring pianist Hampton Hawes and drummer Dannie Richmond. This remastered release includes a whole extra disc of previously unreleased outtakes, discovered by chance, from these sessions, as well as liner notes by Charles Mingus’ friend and colleague Sy Johnson.

Genesis of Genius: The Contemporary Albums combines legendary Jazz saxophonist Ornette Coleman's albums for Lester Koenig's Contemporary Records. This deluxe box set features Coleman's first albums as a bandleader, Something Else!!! and Tomorrow is the Question!. Both albums were originally recorded by legendary engineer Roy DuNann & have been newly mastered by Bernie Grundman. Includes 32-page booklet with photos & extensive new liner notes by GRAMMYr Award-winning music historian Ashley Kahn.

Calexico occupy their signature sound on the new album, El Mira- dor; riding the continental divide between dream pop, Mexican folk and Americana. If any band understands how to expand their sound without losing the brilliant essence of the band, it’s Calexico. Their songs run the gamut from retro-tinged alt-rock, to sentimental folk to southwestern tracks with an impressive display of vision and expertly honed skills. With vocals that intertwine English and Spanish, El Mirador embraces the musical heritage of the southwest, and features guest artists from all musical genres including: Sam Beam (Iron & Wine) who drops backing vocals on “Harness the Wind”, Jairo Zavala of Depedro is featured vocalist on “Cumbia Peninsula” Gaby Moreno and Mexican Institute Of Sound are featured on “Cumbia Del Polvo”.

On his first album in partnership with Verve Records, Kurt Vile pulls his talents as a singer, songwriter, multi-instrumentalist, and producer in unexpected directions — and the result is a vibrant, yet meditative record propelled by laid-back charm and curious spirit.

Moving Pictures (40th Anniversary) Super Deluxe Edition - Celebrating 40 years of Moving Pictures with a Super Deluxe box set fully loaded for fans! Includes a 3 CD set featuring the 2015 album remaster and the complete, unreleased Toronto concert from March 25, 1981. All audio is also showcased on 5 LPs cut at half-speed DMM on 180-gram vinyl. Blu-ray Audio disc presents a first-ever Dolby Atmos and new 5.1 surround album mix including the brand-new video for "YYZ" + 3 music videos. Extras include a book, model car, drumsticks, posters, and more!

Seether - "Vicennial - 2 Decades Of Seether" Vicennial - 2 Decades of Seether is a career-spanning compilation of the RIAA Platinum-selling group's greatest hits, including 16 #1 original singles, as well as the fan-favorite cover of "Careless Whisper." The track list, curated by the band, takes you through their impactful 20-year career - from their early breakthrough singles "Broken" and "Fine Again" to their recent radio success "Dangerous." Indie Exclusive Smoke 2 LP w/ Gatefold Jacket.

A collection of hard-stomping, party-down, all-original songs penned from the rock n' roll heart of George Thorogood. Along with his unstoppable, longtime band, The Destroyers, the album includes the tour de force anthem "Gear Jammer", the country ballad "Oklahoma Sweetheart" and the previously unreleased "Back In The U.S.A.". Plus the hard-hitting "I Really Like Girls" and "If You Don't Start Drinkin' (I'm Gonna Leave)" are served up with Thorogood's trademark swagger and tongue-in-cheek panache.

Boston 1971: Historic early recording of Aerosmith in their rehearsal room – just the band, crew, and friends captured on Joe Perry's tape recorder. This never-before-heard performance showcases the early, raw talent of this future Hall Of Fame band, one year before signing to Columbia Records and two years before their eponymous debut, which featured many of these songs, including their enduring anthem" Dream On."

Daniel Rossen knew there was a lot to learn if he was finally going to finish his debut solo album. For nearly two decades, Rossen had been a crucial component of Grizzly Bear, the era-epitomizing act whose shared harmonies and interlaced textures meant he was responsible for only part of a whole.   But Rossen left the close-knit nest of Brooklyn many years ago, first for an isolated patch of land in upstate New York and then for the high desert climes of Santa Fe. The whole, as it were, was now his. So Rossen bought an upright bass (one of his instruments as a kid) and played all the parts himself, along with the cello. Best known as a guitarist, he took up woodwinds, too, buying several cheap student models and learning just enough to understand the rudiments. And then, largely at home in Santa Fe, he slowly built the world that is You Belong There, a riveting 10-song reintroduction to a voice that sounds both entirely familiar and fully reenergized by the act of unfettered expression.

Every Lucius song is an act of enchantment, a spell cast by the indelibly harmonized voices of Jess Wolfe and Holly Laessig. Onstage, the performance becomes an invitation to be witness to their transformation; the dance between two individuals becoming one voice, one vision and bound by psychic symmetry. And while the effect of this spectacle is hypnotic and gloriously strange, the songwriting continues to be the hand that reaches out from behind the curtain to hold the audience, bringing together everything that makes you nostalgic for the past, while looking to the future. After spending 4 years touring their critically-acclaimed albums Wildewoman and Good Grief with bandmates Dan Molad and Peter Lalish, they toured the world singing on Roger Waters’ Us and Them Tour. Lucius continue to earn adoration from fellow musicians, with Wolfe and Laessig lending their vocals to albums by artists as eclectic as Nathaniel Rateliff, Harry Styles, Sheryl Crow, John Legend, Ozzy Osborne and The Killers.